U.k. Live Flac

U.K. is the self-titled debut album by the progressive rock supergroup U.K., released in May 1978 through E.G. Records and Polydor Records. It features John Wetton, Eddie Jobson, Bill Bruford, and Allan Holdsworth. "In the Dead of Night" and "Mental Medication" were both edited for single release. The album was well received by FM album rock radio and by the public during the summer of 1978. In 2015 Rolling Stone magazine ranked it as the 30th best progressive rock album of all time. Featuring members of Yes, King Crimson, Roxy Music, and Soft Machine, U.K. was one of the most prominent progressive rock supergroups of the late '70s. Various members of U.K. – guitarist Allan Holdsworth, keyboardist/violinist Eddie Jobson, bassist/vocalist John Wetton, and drummer Bill Bruford – had all played together in their previous bands, but when the group formed in 1977, it was the first time all of the musicians had played together.

Residing on Neal Street, Covent Garden this Rather Dingy Gay Club's One Year Sacrifice to the Emerging Punk Scene and the Contribution it Made as a Launch Pad Cannot Be Overstated. From Late '76 Up Until January 1978, the Roxy Club Played Host to Many Bands that to this Day, have a Lasting Influence Upon the Punk Scene…

For a band that rescued rock & roll from the Uriah Heeps of the world in the late '70s, and made a mark on everything that followed, the Sex Pistols left behind precious little in terms of their recorded legacy. Their only official release being the earth-shattering NEVER MIND THE BOLLOCKS, enthusiasts have to turn to collections of outtakes and live material to further satisfy their Pistols jones. This brings us to the mysterious NO FUTURE U.K. With virtually nothing to go on in terms of liner notes or credits, it's hard to determine exactly where these alternate version of well-known Pistols songs like "Pretty Vacant" and "Liar" are from. Are they rehearsal recordings? Demos? Outtakes? We may never know for sure, but one thing is for certain, they are relatively well-recorded, full of patented Pistols energy, and among the band's finer performances, all of which puts NO FUTURE towards the front of the posthumous Pistols pack.

Originally released as a four-song bonus EP with the U.K. edition of Armed Forces, then excerpted with an additional six songs on Rhino’s double-disc expansion of said album in 2002, Live at Hollywood High received a full-blown reissue in 2010, almost 32 years after the June 4, 1978 concert from Elvis Costello & the Attractions. As the second installment of the Costello Show archival series, Live at Hollywood High isn’t as legendary as Live at the El Mocambo, which had the benefit of once being one of Elvis Costello’s rarest records, but it’s a better show, or at least a better indication of the Attractions at their absolute peak.

Originally released as a four-song bonus EP with the U.K. edition of Armed Forces, then excerpted with an additional six songs on Rhino’s double-disc expansion of said album in 2002, Live at Hollywood High received a full-blown reissue in 2010, almost 32 years after the June 4, 1978 concert from Elvis Costello & the Attractions. As the second installment of the Costello Show archival series, Live at Hollywood High isn’t as legendary as Live at the El Mocambo, which had the benefit of once being one of Elvis Costello’s rarest records, but it’s a better show, or at least a better indication of the Attractions at their absolute peak.

Originally released as a four-song bonus EP with the U.K. edition of Armed Forces, then excerpted with an additional six songs on Rhino’s double-disc expansion of said album in 2002, Live at Hollywood High received a full-blown reissue in 2010, almost 32 years after the June 4, 1978 concert from Elvis Costello & the Attractions. As the second installment of the Costello Show archival series, Live at Hollywood High isn’t as legendary as Live at the El Mocambo, which had the benefit of once being one of Elvis Costello’s rarest records, but it’s a better show, or at least a better indication of the Attractions at their absolute peak.