"Look at you!" cries Bono midway through U2's opening song, Even Better Than the Real Thing. "A whole city in the rain." Dreadful weather has a way of focusing the mind. U2's booking has divided festivalgoers since it was first announced, before Bono's back injury forced a postponement. But their healthy back catalogue and formidable showmanship seems well-placed to raise sodden spirits.
~guardian.co.uk
A rock & roll open secret: U2 care very much about what other people say about them. Ever since they hit the big time in 1987 with The Joshua Tree, every album is a response to the last – rather, a response to the response, a way to correct the mistakes of the last album: Achtung Baby erased the roots rock experiment Rattle and Hum, All That You Can't Leave Behind straightened out the fumbling Pop, and 2009's No Line on the Horizon is a riposte to the suggestion they played it too safe on 2004's How to Dismantle an Atomic Bomb. After recording two new cuts with Rick Rubin for the '06 compilation U218 and flirting with will.i.am, U2 reunited with Brian Eno and Daniel Lanois (here billed as "Danny" for some reason), who not only produced The Joshua Tree but pointed the group toward aural architecture on The Unforgettable Fire.
U2 is an Irish rock band featuring Bono (Paul David Hewson) on vocals, guitar and harmonica, The Edge (David Howell Evans) on guitar, keyboards and vocals, Adam Clayton on bass, and Larry Mullen, Jr. on drums.
2005's Playing the Angel proved to be one of Depeche Mode's strongest albums – the combination of Ben Hillier's production, the emergence of David Gahan as a songwriter following his initial solo effort and a clutch of striking songs that openly embraced arena-level bombast following the much more subtle Exciter resulted in wide praise and a well-received tour. As a result – especially given the return of Hillier, the first producer to work on two Depeche albums in a row since Flood's heyday with Violator and Songs of Faith and Devotion – Sounds of the Universe was initially suspected of being Playing the Angel redux, something the swaggering lead single "Wrong" didn't undercut at all.
This collection contains 349 songs recorded at 91 separate recording sessions between October 11, 1942 and March 23, 1961. Two-thirds of the selection on this 18-disc anthology have either been out out of print since the 1940s, or have never been released in any form. Cole's 1956 album, AFTER MIDNIGHT, is included here in its entirety, along with all of the trio's more familiar songs. Included in this set are 104 tracks previously unavailable on US LPs. Sixty-six of the tracks were previously unavailable anywhere. Fifty-six rare Capitol radio transcriptions appear commercially for the first time. Dozens of the tracks appear at the correct speed for the first time ever.
Opening with the ominous, fiery protest of "Sunday Bloody Sunday," War immediately announces itself as U2's most focused and hardest-rocking album to date. Blowing away the fuzzy, sonic indulgences of October with propulsive, martial rhythms and shards of guitar, War bristles with anger, despair, and above all, passion…
Opening with the ominous, fiery protest of "Sunday Bloody Sunday," War immediately announces itself as U2's most focused and hardest-rocking album to date. Blowing away the fuzzy, sonic indulgences of October with propulsive, martial rhythms and shards of guitar, War bristles with anger, despair, and above all, passion…
Opening with the ominous, fiery protest of "Sunday Bloody Sunday," War immediately announces itself as U2's most focused and hardest-rocking album to date. Blowing away the fuzzy, sonic indulgences of October with propulsive, martial rhythms and shards of guitar, War bristles with anger, despair, and above all, passion…