Ultresonic Weld

Lil Ed Williams and Dave Weld have complementary styles. The pair of blues singer-guitarists learned slide guitar from J.B. Hutto (Williams' uncle) and they are equally skilled playing acoustic and electric blues. In fact, with the exception of the pop ballad "Too Late Baby" which is from 1944 and utilizes different personnel than the rest of the CD, this set mostly alternates acoustic and electric numbers by the Imperial Flames, a quintet. The co-leaders split the vocals and the guitar solos equally and are not only strong soloists but adept at backing each other. Due to impressive variety and high musicianship, the often-exuberant set is highly recommended to blues fans.

Lil Ed Williams and Dave Weld have complementary styles. The pair of blues singer-guitarists learned slide guitar from J.B. Hutto (Williams' uncle) and they are equally skilled playing acoustic and electric blues. In fact, with the exception of the pop ballad "Too Late Baby" which is from 1944 and utilizes different personnel than the rest of the CD, this set mostly alternates acoustic and electric numbers by the Imperial Flames, a quintet. The co-leaders split the vocals and the guitar solos equally and are not only strong soloists but adept at backing each other. Due to impressive variety and high musicianship, the often-exuberant set is highly recommended to blues fans.

Lil Ed Williams and Dave Weld have complementary styles. The pair of blues singer-guitarists learned slide guitar from J.B. Hutto (Williams' uncle) and they are equally skilled playing acoustic and electric blues. In fact, with the exception of the pop ballad "Too Late Baby" which is from 1944 and utilizes different personnel than the rest of the CD, this set mostly alternates acoustic and electric numbers by the Imperial Flames, a quintet. The co-leaders split the vocals and the guitar solos equally and are not only strong soloists but adept at backing each other. Due to impressive variety and high musicianship, the often-exuberant set is highly recommended to blues fans.

Per-Sonat - Bis an der Weld ihr Ende: Deutsche Lieder der Reformationszeit (2017) {Christophorus CHR 77410}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 337 Mb | MP3 @320 -> 165 Mb
Full Artwork @ 300 dpi (jpg) -> 18 Mb | 5% repair rar
© 2017 Christophorus / Note 1 Music | CHR 77410
Classical / Renaissance / Early Music / Vocal Music / Chamber Music / Sacred

Martin Luther, the great German Reformer, has had not only a lasting theological effect; he also had a big influence on the musical development of his time. He demanded the use of the German language for hymns sung at church services, and thereby created the basis for the early “German Lied”. Sabine Lutzenberger, a fine early music expert, and her Per-Sonat ensemble present a broad overview of sacred and secular songs from this era. Soprano Sabine Lutzenberger has been a member of the “Ensemble for Early Music Augsburg) for years, and is a pioneer of medieval singing. She founded Per-Sonat in 2008, and has performed in most of the well-known festivals of Early Music in Europe and beyond. Her repertoire spans the 9th to 17th centuries, with an additional focus on contemporary music.