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Eine tour de force durch die Lebensgeschichte des Geistes mit einer herausragend gelungenen Kombination aus Tiefe und Breite. Prof. Onur Güntürkün, Kognitionswissenschaftler, Ruhr-Universität Bochum
Das Buch ist anspruchsvoll, vielseitig, auf dem Stand der modernsten Forschung und liest sich wunderbar frisch. Den Lesern werden Einblicke in unser eigenes Werden und Sein vermittelt, die sie in dieser kompetenten Form nirgends besser finden können. Prof. Volker Storch, Zoologe, Universität Heidelberg…

Entwickle Charaktere die den Leser fesseln - Fiktion erwacht zu Leben, die dramatische Figurenentwicklung für Autoren

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Entwickle Charaktere die den Leser fesseln - Fiktion erwacht zu Leben, die dramatische Figurenentwicklung für Autoren

Erfolgreich JavaScript auf dem Server entwickeln mit Express, SQL-Datenbanken, REST-APIs und asynchroner Programmierung

After a St John Passion that won widespread critical acclaim (Gramophone Editor's Choice, BBC Music Magazine 's Choice, Trophée de Radio Classique ), Philippe Herreweghe and his ensemble Collegium Vocale Gent continue the journey to the heart of Bach’s oeuvre that has made them world-famous with a programme of cantatas. The three recorded here were composed between 1723 and 1725 for St Thomas’s Church in Leipzig, where the composer held the post of Kantor from 1723 until his death in 1750.

After a St John Passion that won widespread critical acclaim (Gramophone Editor's Choice, BBC Music Magazine's Choice, Trophee de Radio Classique), Philippe Herreweghe and his ensemble Collegium Vocale Gent continue the journey to the heart of Bach's oeuvre that has made them world-famous with a programme of cantatas. The three recorded here were composed between 1723 and 1725 for St Thomas's Church in Leipzig, where the composer held the post of Kantor from 1723 until his death in 1750.

The text goes back to a Weimar cantata by Solomon Franck for the 4th of Advent. It included only the numbers 1, 3, 5, 7 and 9 and another final chorus. Since no cantatas were performed in Leipzig between the 1st of Advent and the Christmas day, they could no longer be used there. With inserted recitatives and by recasting the chorale, an unknown poet gave her the new destiny for the feast of the Visitation of the Virgin Mary on July 2, 1723. This refers to Mary's visit to Elizabeth and her praise (Magnificat) according to the Gospel reading, Luke 1, 39-56.

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