Underground 1995

Gas 0095 is an album by Mat Jarvis (aka Gas). The album was first released in 1995 and soon became one of the more sought after albums in all of electronica. Many would describe Gas 0095 as ambient, which is probably due to there being a decent ambient component of the album, its otherworldly sound, and even Mat Jarvis sharing an alias with the better known Gas of Wolfgaing Voigt (who is a prolific ambient producer). But Gas 0095 is really not ambient, but more in the IDM, downtempo mold. There are lively, interesting, colorful sounds everywhere, and a few pretty upbeat tracks; definitely not something you could or would want to shove into background listening. While Gas 0095 has several claims to underground electronic music fame, its best is that it is quite simply a fantastic CD. Gas 0095 is just one of those albums that you find yourself enjoying time after time, one of those albums you can always listen to.

Facil is a collaboration merging the talents of Dietrich Schoenemann of Prototype 909 and Tension Record's Abe Duque. Abe Duque is a name well known to the underground as the producer behind Techno powerhouse label Tension Records and the Ambient-oriented Rancho Relaxo Records. Abe Duque is also known throughout Europe for his live performances during his annual residence there, several months a year. Drawn together by the relaxed rhythms and Ambient vibes at The Limelight's Rancho Relaxo, these two electronic maestros fell into collaboration and found that the creative tension between their styles was giving birth to a brand-new vibe: an easy, free-flowing, electronic communication of organic beats, liquid soundscapes, and free floating tonalities. Facil is motion-oriented: delivering Dietrich and Abe's own distinctive style of sparkling, clear Ambient beauty.

Full Dynamic Range Remastered edition of At The Gates fourth studio album.
When it was first released, At the Gates' Earache debut Slaughter of the Soul was regarded as a generally excellent example of Gothenburg-style melodic death metal, and certainly the band's best and most focused album to date. But the commonly held view was that it wasn't anything all that special, either. After all, it lacked the intricate twin-guitar leads of In Flames, the complex song structures of Dark Tranquillity, the progressive artistry of Edge of Sanity, or even the rock & roll underpinnings of latter-day Entombed. Slaughter of the Soul was more obviously rooted in American thrash (especially Slayer) than its peers, and didn't seem to be consciously trying to break new ground…

The show captured on King Biscuit Flower Hour (In Concert) (1996) was recorded circa Greg Lake's 1981 self-titled debut, and features Lake (guitar/bass/vocals) leading an impressive backing combo with Gary Moore (guitar), Ted McKenna (drums), Tommy Eyre (keyboards), and Tristian Margetts (bass). The set originated as a King Biscuit Flower Hour broadcast from the Hammersmith Odeon in London on November 5, 1981. During this time, Lake was on an extended hiatus from Emerson, Lake and Palmer (ELP), and issued a pair of solo efforts.

The Rest of New Order (stylised as (the rest of) NewOrder) is a remix album by English band New Order, released on 21 August 1995 by London Records. Limited edition of the CD came with an additional bonus disc of "Blue Monday" remixes. This version replaces the white background on the cover with a reflective brown/gold.
Rising from the ashes of the legendary British post-punk unit Joy Division, New Order triumphed over tragedy to emerge as one of the most acclaimed bands of the 1980s; embracing the electronic textures and disco rhythms of the underground club culture many years in advance of its contemporaries, the group's pioneering fusion of new wave aesthetics and dance music successfully bridged the gap between the two worlds, creating a distinctively thoughtful and oblique brand of synth pop appealing equally to the mind, body, and soul.