Underground Sounds

Esoteric Recordings are pleased to announce the release of “Revolution – Underground Sounds of 1968”, a 3CD clamshell boxed set celebrating the so-called “underground” rock music 1968, a year that saw huge changes, both musical and social.

Esoteric Recordings are pleased to announce the release of “Revolution – Underground Sounds of 1968”, a 3CD clamshell boxed set celebrating the so-called “underground” rock music 1968, a year that saw huge changes, both musical and social.

Esoteric Recordings’ next release in their series of compilations celebrating the so-called “underground” rock music. 1971 was a momentous year in rock and one which would continue to see Progressive music in all its forms become a dominating force with the album buying public. Much of this music appeared on the “progressive” imprints of major record labels such as EMI’s Harvest, Decca’s Deram and Philips Records’ Vertigo and emerging independent labels such as Charisma, United Artists and Island and led to an increasing presence of underground album music on BBC Radio 1 on its Sounds Of The Seventies and Top Gear programmes.

Esoteric Recordings are pleased to announce the next release in their series of compilations celebrating the so-called “underground” rock music – “Banquet – Underground Sounds of 1969”, is a 3CD clamshell boxed set which gathers together nearly four hours of music from 1969, a year that saw a huge progression in both musically and socially.

Esoteric Recordings are pleased to announce the release of “Revolution – Underground Sounds of 1968”, a 3CD clamshell boxed set celebrating the so-called “underground” rock music 1968, a year that saw huge changes, both musical and social.

Esoteric Recordings’ next release in their series of compilations celebrating the so-called “underground” rock music. 1971 was a momentous year in rock and one which would continue to see Progressive music in all its forms become a dominating force with the album buying public. Much of this music appeared on the “progressive” imprints of major record labels such as EMI’s Harvest, Decca’s Deram and Philips Records’ Vertigo and emerging independent labels such as Charisma, United Artists and Island and led to an increasing presence of underground album music on BBC Radio 1 on its Sounds Of The Seventies and Top Gear programmes.

Esoteric Recordings are pleased to announce the next release in their series of compilations celebrating the so-called “underground” rock music – “Taking Some Time On – Underground Sounds of 1970”, is a 4 CD clamshell boxed set which gathers together over five hours of music from 1970, the first year of a new decade that would see Progressive music in all its forms become a dominating force with the album-buying public. The innocence of psychedelia and the optimism expressed by such vast expressions of the Hippy ideal as the Woodstock Festival in New York State and the Hyde Park Free Festivals of 1969 in London were shattered by the violence of the Altamont Festival in California at the end of the year. As 1970 dawned, a more cynical tone began to appear in the counter-culture which was also reflected in some of the music by “Progressive” artists as some music got heavier or more anarchic. Jazz, blues, hard rock, folk and classical music influences melded together to form a diversity of music among so-called Underground artists, championed by “underground” figures of the day such as John Peel on his BBC Radio One show Top Gear.

Esoteric Recordings are pleased to announce the next release in their series of compilations celebrating the so-called “underground” rock music – “Banquet – Underground Sounds of 1969”, is a 3CD clamshell boxed set which gathers together nearly four hours of music from 1969, a year that saw a huge progression in both musically and socially.

Esoteric Recordings are pleased to announce the next release in their series of compilations celebrating the so-called “underground” rock music – “Taking Some Time On – Underground Sounds of 1970”, is a 4 CD clamshell boxed set which gathers together over five hours of music from 1970, the first year of a new decade that would see Progressive music in all its forms become a dominating force with the album-buying public. The innocence of psychedelia and the optimism expressed by such vast expressions of the Hippy ideal as the Woodstock Festival in New York State and the Hyde Park Free Festivals of 1969 in London were shattered by the violence of the Altamont Festival in California at the end of the year. As 1970 dawned, a more cynical tone began to appear in the counter-culture which was also reflected in some of the music by “Progressive” artists as some music got heavier or more anarchic. Jazz, blues, hard rock, folk and classical music influences melded together to form a diversity of music among so-called Underground artists, championed by “underground” figures of the day such as John Peel on his BBC Radio One show Top Gear.