Unity Films

A man leaves the life he's known behind to support his family as an undocumented worker in this realistic drama. Freddy (Freddie Flores) was born and raised in Bolivia, but when the intervention of American drug enforcement agents led to the destruction of the cocoa fields where he worked, he finds himself with no way to support his family. Desperate for work, Freddy is smuggled into Argentina, where he's given a job by Don Enrique (Enrique Liporace), the owner of a Buenos Aires cafe who employs a number of illegal aliens, prompted less by benevolence than the economy of not having to pay them the same wages as legitimate workers. Freddy is given a job as a cook, where he's paid a mere 15 pesos a day (a phone call back home costs ten pesos), and he soon discovers that many of the townspeople in Buenos Aires don't much care for immigrants…

Its army dominated the known world. Its culture forms the heart of Western Civilization. At its zenith, the Roman Empire extended from Persia to England, the Black Sea to the Atlantic Ocean. And throughout its history, its fate rested in the hands of individuals men of genius and courage, madness and ambition.

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"Images tell stories, we tell the stories of images." Mysteries in the archives, ten investigations into ten events of the twentieth century that have marked our memory and our imagination. In the French series, we learn about the historical events of the 20th century by closely investigating archive films. Who is in the picture, who is missing? Why was the camera pointed right here? Who is sitting next to whom?

The music on this album, specially created for the television series, is the result of the combined talents of two exceptional but very different musicians: Jon Lord, rock luminary of "Deep Purple" and "Whitesnake". fame, and Alfred Ralston, veteran of music hall and stage and film musicals with hits like "Oh! What A Lovely War" to his credit. Both slightly unexpected artists to be writing the score for a country idyll. But it was the challenge of producing music outside their usual spheres that has given the series music which is so fresh and strong. There was one crucial and tricky object from the start: to create music that was sensitive and lovely enough to express the beauty of the Warwickshire countryside yet robust enough to rise to the heights of stormy weather, emotional crises and the tremendously expansive and dramatic poetry in the "Diary". The original surprise idea of working with Jon came from series producer Patrick Gamble who knew Jon had written a theme of his own after reading the Diary.

The music on this album, specially created for the television series, is the result of the combined talents of two exceptional but very different musicians: Jon Lord, rock luminary of "Deep Purple" and "Whitesnake". fame, and Alfred Ralston, veteran of music hall and stage and film musicals with hits like "Oh! What A Lovely War" to his credit. Both slightly unexpected artists to be writing the score for a country idyll. But it was the challenge of producing music outside their usual spheres that has given the series music which is so fresh and strong. There was one crucial and tricky object from the start: to create music that was sensitive and lovely enough to express the beauty of the Warwickshire countryside yet robust enough to rise to the heights of stormy weather, emotional crises and the tremendously expansive and dramatic poetry in the "Diary". The original surprise idea of working with Jon came from series producer Patrick Gamble who knew Jon had written a theme of his own after reading the Diary.

Set in turn-of-the-20th century Paris, the film opens with Honoré Lachaille among high society in the Bois de Boulogne. A charming old roué, he cynically remarks that "Like everywhere else, most people in Paris get married, but not all. There are some who will not marry, and some who do not marry. But in Paris, those who will not marry are usually men