Unlimited Heart

This vocal quartet originally started life as an extension of jazz band the Hi-Lo’s. From that prominent '50s band came Don Shelton, who decided to form Singers Unlimited after the Hi-Lo’s broke up in 1964. After retreating to Chicago, Illinois, where he worked on a series of television commercials, he enlisted fellow Hi-Lo’s veteran Gene Puerling of Milwaukee, Wisconsin, to join him in the city in 1967. The group was formed along with Len Dresslar and Bonnie Herman, with the express intention of recording commercials in the doo wop/vocal group idiom. Shelton’s connections in the industry ensured the group was able to exploit the market successfully, and lucrative work rolled in. However, the 30-second snatches of songs hardly satisfied their artistic ambitions, and when they found themselves with studio time left over after one session, they recorded a take on the Beatles' "The Fool on the Hill." Through visiting jazz pianist Oscar Peterson, the demo of the a cappella recording was passed to MPS Records in Germany.

This 1975 slab by drummer Redd Holt was his second outing after the disintegration of the Young-Holt Unlimited rhythm team. Tighter and more adventurous than Isaac, Isaac, Isaac, its predecessor, Holt goes for the heart of rhythm here, letting it flower over the top of all the other arrangements. As a way of signifying this, he opens the set with a short but deeply funky and soulful rendition of Bob Marley's "I Shot the Sheriff." With less than two-and-a-half minutes of clock time, it's get out and go or nothing and Holt makes his tom-toms pop like snares, keeping only the slamming guitaristry of Randy Ford on top with him. Elsewhere, as on "Gimme Some Mo," Holt intertwines with keyboardist Eugene Curry to allow bassist Jose Holmes to cut the groove fast and deep, popping it all over the sonic spectrum like Bootsy Collins but with more finesse…

Featuring all 10 of Love Unlimited’s US 7” singles released between 1972-1975, this set is the first compilation to pull together all the group’s A- and B-sides that appeared on Uni, MCA, and 20th Century Records. Perfectly positioned for all Barry White collectors and soul / R&B aficionados, it includes the hits: Walkin’ In The Rain With The One I Love, Is It Really True Boy – Is It Really Me, It May Be Winter Outside (But In My Heart It’s Spring), Under The Influence Of Love, and People Of Tomorrow Are The Children Of Today.