Before delving into the music on this collection, it's important to offer a note of caution to Chet Baker fans: Italian Movies is not a really a compilation of the trumpeter's work, so much as a series of film scores by the great composer Piero Umiliani between 1958 and 1964 on which he is featured either as a soloist or as part of the orchestra. It might better have been marketed to Umiliani fans, but it's tough to fault label Moochin' About for a little creative license when repackaging a previous issue of this music that appeared on Liuto Records – that one was co-billed to the pair. Other than on disc three – where Baker doesn't get to solo until track nine in the score for 1962's Smog, yet is still featured for 20 minutes – there is plenty of him to go around as he works amid his Italian contemporaries.
A triumph of technology and design, with respect for history in every detail, The Complete Albums Collection features 14 classic Billy Joel albums plus a bonus disc of rare and original recordings. This deluxe limited edition package is the most comprehensive collection ever by a consummate artist who has sold over 100 million records in the course of his 40-year career.
Luther Vandross was one of the most successful R&B artists of the 1980s and '90s. Not only did he score a series of multi-million-selling albums containing chart-topping hit singles and perform sold-out tours of the U.S. and around the world, but he also took charge of his music creatively, writing or co-writing most of his songs and arranging and producing his records. He also performed these functions for other artists, providing them with hits as well.
Marc-André presents a fascinating juxtaposition of two composers who are not obviously musically related, but who are proved on this album to be a felicitous combination. Schumann’s well-loved Kinderszenen (‘Scenes from childhood’) cycle is a masterpiece: each piece is as deftly and exquisitely crafted as anything in his more outwardly sophisticated mode. From the haunting beauty of the opening ‘From foreign lands and people’ (‘Von fremden Ländern und Menschen’), via the spare eloquence of the central ‘Dreaming’ (‘Träumerei’), to the quiet rhetoric of ‘The poet speaks’ (‘Der Dichter spricht’), the listener is taken through nuances of emotion whose effects are heartrendingly poignant.
"Until Your Love Comes Back Around" hit Top 30 in February of 1992, and helped forge a new identity for ex-Boston guitarist Barry Goudreau as well as perpetual Boston member, vocalist Brad Delp. Definitely '80s rock, the opening track, "Face the Music," could have worked on a latter day Starship album as well. On paper this looked like a huge act.