Few jazz performers have been as successful in applying their improvisational chops to the work of revered classical composers as this Philadelphia born pianist Uri Caine, whose catalog over the years has included homages to everyone from Herbie Hancock and Thelonious Monk to the songs of Tin Pan Alley and more recently, Mahler, Wagner, Bach, Beethoven and Schumann.
In the 21st century, it's easy to take technology for granted and forget that in the time of Johann Sebastian Bach (b. 1685, d. 1750), there were no cars, busses, airplanes, TVs, radios, movies, tape recorders, electric lights, or computers. People used candles to light their homes, and horses were the fastest way to get around. There were excellent plays and opinionated theater critics to review them, but no cameras to film the actors and actresses. Recording technology had yet to be invented, so the only way to hear classical musicians was to hear them performing live. Although the classical artists of Bach's time could not be recorded, they left behind their compositions, and today's classical musicians continue to keep them alive.
Virtuosity of those two musicians is incredible to discover. They hitting heavy on beautiful standard "Dear Old Stockholm" with grace and gentleness but having guts to alternate harmony in dignified, balanced way. Uri Caine, as it is my second encounter with his artistry (I've only tried "ThePhiladelphiaExperiment"), astonished me with marvelous and complex technique of phrasing with left hand. The illusion (well…) of whole rhytmic section conveyed in his playing cannot be denied - couple of times I really forgot that there're only piano and trumpet. And this is the most tasteful of this album, how he can focus listeners' attention on his play with this wonderful rhythmic, but also so melodic (and bluesy…) approach.
These are mature talents, presented to the world by the Italian branch of Blue Note. It isn't necessary though, because Paolo Fresu and Uri Caine already have quite a name among jazz connoisseurs. They recently released the album Think and we can expect them to tap this source extensively.
Uri Bracha’s music is a unique blend which expresses the multiple cultures in Israel and in the Middle East with Brazilian and jazz music. His music influenced by traditional jazz such as Miles Davis and well-known guitar players such as Pat Metheny and Paco de Lucia.
Uri Caine is a musician of astonishing virtuosity and versatility. Coming out of the legendary Philly Jazz scene, his playing is an encyclopedia of styles from Tatum to Evans and beyond. With Moloch he interprets tunes from Zorn’s Book of Angels in a breathtaking outing for solo piano. Virtuosic and soulful, this latest volume of material from Masada Book Two is an absolute tour-de-force. Fifteen musical miniatures by one of the world’s greatest piano virtuosos.