Prix Bernard Werber de l'Imaginaire 2020.
3006. La Terre a été pacifiée grâce à Community, une technologie révolutionnaire qui permet à l'homme de communiquer par télépathie. L'égoïsme mis de côté au profit de la collectivité, conflits et inégalités appartiennent désormais au passé.
Passionnée par les étoiles, Lyah est une jeune femme dotée d'une profonde soif de connaissances, qui la pousse à se poser beaucoup de questions sur le monde qui l'entoure. Bien plus que tous ceux qu'elle connaît…
Each release from the Mariinsky label to date has featured music by some of the great Russian composers with whom the Mariinsky Theatre has enjoyed close relationships. For the label’s sixth release, Valery Gergiev turns to the music of Igor Stravinsky, a composer who grew up in St Petersburg, attending performances at the Mariinsky Theatre where his father sang. Less than four years separate the premieres of Les Noces and Oedipus Rex, yet they each represent high-points in two distinct phases of Stravinsky’s career. Although the concept of Les Noces is highly innovative – a ‘dance cantata’ – the music remains rooted in Russian folk traditions. Stravinsky dedicated the ballet to Diaghilev, whose Ballet Russes gave the première, and it marks the crowning glory of Stravinsky’s so-called ‘second Russian period’. The opera-oratorio Oedipus Rex is the first great work of Stravinsky’s neo-classical period.
The Munich Philharmonic has arguably given more performances of Anton Bruckner’s music than any other orchestra. A great number of Bruckner recordings lead by the many legendary conductors that have worked for and with the Munich Philharmonic are stored in the historical archive of the MPHIL Label including magnificent pieces with Sergiu Celibidache, Christian Thielemann, Rudolf Kempe, Günter Wand and Oswald Kabasta.
As the holidays approach, the exceptional vocalist Valéry Haumont likes to take on Christmas songs to revisit them in Jazz sauce, in the company of his friends, pianist Thomas Duvigneau and double bass player Blaise Chevalier.
The extraordinary Russian pianist, Valery Afanassiev, studied the piano at the Moscow Conservatory with Emil Gilels and Yakov Zak. In 1968 (or 1969) he was prize-winner at the Bach Competition in Leipzig. In 1972 he was awarded the 1st prize at the Concours Reine Elisabeth (Queen Elizabeth) in Brussels, Belgium...
Daniel Lozakovich has been dreaming about recording the Beethoven Violin Concerto since he was eight. He first performed it on stage when he was thirteen, and at fifteen was invited by Valery Gergiev to perform the concerto with him in Moscow. A few short years later, he has reunited with his mentor Gergiev to record the Beethoven with the Münchner Philharmoniker for Deutsche Grammophon The new recording captures Lozakovich’s close artistic partnership with Russian conductor Valery Gergiev Lozakovich was clear from the start that this should be a live recording: “There’s a particular magic about a live concert,” he explains. “The audience creates a unique atmosphere, without which, in my opinion, it’s almost impossible to produce a performance that will stand the test of time.”