Various Artist 80

In Balloonatic, master Photoshop artist Uli Staiger shows you how to create an image straight out of a dream: a dancer on a tightrope over the ocean, with the rope anchored to a mountain on one side and on the other side held up only by balloons. Following his instructions, you’ll use Photoshop to prepare the seascape background, then one by one add the dancer, the rope, and the balloons. Along the way you’ll make all the necessary adjustments to turn the various pieces into a seamless, unified whole. You’ll accomplish all this through a series of simple, easy-to-follow lessons that give you plenty of room to add your own artistic touches to the final product.

Strut present 'Metal Dance', a new compilation from one of the UK's most respected DJ / producers, the man behind Playgroup and original founder of the legendary label Output Recordings, Trevor Jackson.

The series now takes a trip to the US of A, sixties style for its latest theme. Reflecting the way todays 60’s centric DJs / Mod Clubs weave a patchwork of musical styles from the 60’s in their 360 degree playlists of the period, so the latest Looking set travels from uptempo R&B and Early Soul to Garage Punk, Northern, Frat Rock, Proto-Psych and wild instro’s. PayIng homage to American Mod music from the Sixties.

Various Artists - Let the Electric Children Play: The Underground Story of Transatlantic Records 1968 - 1976 (2017) {3CD Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.45 Gb | MP3 @320 -> 540 Mb
Full Artwork @ 300 dpi (jpg) -> 33 Mb | 5% repair rar
© 1968-76, 2017 Transatlantic Records / Esoteric Recordings / Cherry Red Records | ECLEC 32600
Rock / Progressive Rock / Folk Rock / Underground Rock / Psychedelic

Esoteric Recordings are proud to announce the release of a new deluxe 3CD which tells the story of the so- called “underground” era of one of Britain’s great independent record labels of the 1960s & 1970s, Transatlantic Records. In the heady atmosphere of the late 1960s, the sea change in British popular music spearheaded by the Beatles experimentation on the Sergeant Pepper album and swiftly followed by the likes of Cream, Pink Floyd, Traffic, Family, Procol Harum, Jethro Tull and a host of groups and musicians who followed in their footsteps led to the album being seen as the medium in which “serious” musicians would explore and develop their craft. The apparently disparate genres of blues, jazz, rock, folk and even world music were fused together by many diverse acts all of whom were eager to be regarded as “progressive” in their musical approach. The so-called “underground” audience eagerly consumed this music, which sat alongside the social changes that were also taking place.

It is believed that the rush hour lounge music falls on the 50-60s. Then it executes unknown bands, but the rooms were great friends. While implementing lounge music could be called any musician who played in a cafe or restaurant to the public. In the 60s there were ensembles, records which are related to Lounge. Among them - the bands of James Last, Bert Kempferta, Paul Mauriat, Herb Alpert. Distinguished as a lounge music and musical design films, because this style of music can rightly be called the background.