Verdi Slaves

Nabucco was Verdi’s third work for the stage and proved his first great success when performed in 1842. It deals with the Hebrew’s attempts to break free from the yoke of their Babylonian oppressors and is nowadays numbered among Verdi’s most popular works, not least on account of its famous Chorus of Hebrew Slaves, which has one of the best-loved melodies in the whole history of opera.)

Giuseppe Fortunino Francesco Verdi was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century. His works are frequently performed in opera houses throughout the world and, transcending the boundaries of the genre, some of his themes have long since taken root in popular culture…

One of the most acclaimed musicians of his era, Toscanini was a conductor of the "old school" - aristocratic, perfectionistic and something of an autocrat on the podium. After a brief flurry of interest in Fascism in the 1910s, he rapidly became disillusioned with the movement and indeed became a personal rival of Mussolini, repeatedly antagonising him through acts of artistic defiance such as refusals to open concerts with the Fascist anthem Giovinezza.

In the spring of 1973, ORTF decided to organise a concert performance of Aida with an international cast (Lavirgen from Spain, Pappas from Greece, the Italians Alberti and Roni, etc.). Sanzogno was felt to be the ideal conductor. The first-night gossip concerned above all the opera's protagonist, a black soprano from America's deep south (Augusta, Georgia, to be precise). Michele Selvini.

Back by popular demand, The Toscanini Collection is a reissue of RCA's 1992 compendium that encompassed all of the recordings Toscanini made with the New York Philharmonic, Philadelphia Orchestra, and NBC Symphony. A new addition to this amazing collection is his approved recordings with the BBC Symphony from the 1930s that were not included in the 1992 edition.