Very Short Introductions

James Joyce is one of the greatest writers in English. His first book, A Portrait of the Artist as A Young Man laid down the template for the Coming of Age novel, while his collection of short stories, Dubliners, is of perennial interest. His great modern epic, Ulysses, took the city of Dublin for its setting and all human life for its subject, and its publication in 1922 marked the beginning of the modern novel. Joyce's final work, Finnegans Wake is an endless experiment in narrative and language. But if Joyce is a great writer he is also the most difficult writer in English. Finnegans Wake is written in a freshly invented language, and Ulysses exhausts all the forms and styles of English. Even the apparently simple Dubliners has plots of endless complexity, while the structure of A Portrait of the Artist as A Young Man is exceptionally intricate.

Very Short Introductions: Brilliant, Sharp, Inspiring

What is Pakistan? The name refers to a seventy-year-old post-colonial product of the bloodiest partition of territory and population that accompanied the end of British empire in South Asia. But the region of the Indus Valley has a four-thousand-year-old history, and was the site of one of the earliest and greatest riverine civilisations in the world. Although the modern nation of Pakistan as we know it was created as a homeland for the Muslims of British India, it is impossible to understand the complex tapestry of linguistic, ethnic, and cultural identities and tensions of the region without tracing its deep past.

Very Short Introductions: Brilliant, Sharp, Inspiring

To date, more than a million insect species have been described, with probably at least another 5-8 million species waiting in the wings for a name. Insects are a fascinatingly diverse and beautiful spectrum of animals. They range in size from the tiny parasitic wasp, measuring a mere 139μm, to the aptly named Titan beetle, which can reach lengths of up to 17cm.

Very Short Introductions: Brilliant, Sharp, Inspiring

In a world where not everyone believes in God, 'blasphemy' is surely a concept that has passed its use-by-date. And yet blasphemy (like God and religion) seems to be on the rise. In this Very Short Introduction Yvonne Sherwood asks why this should be the case, looking at factors such as the increased visibility of religious and racial minorities, new media, and engines of surveillance (which are far more omniscient than the old gods could ever be), and the legacies of colonial blasphemy laws.

Very Short Introductions: Brilliant, Sharp, Inspiring