Vfx

A series of video lessons is devoted to the integration of these powerful programs like Cinema 4D, Synth Eyes, and After Effects. From Synth Eyes in Cinema 4D to After Effects. You will learn how to use the proxy geometry for the dynamic interaction in C4D and learn the final compositing in AE. Present the project files. The best and most downloaded project on c4D and AE. PS Here is how to use 3D graphics in movies, the project is included in the archive

From the job interview, to the script breakdown, the storyboards, the budgeting, the running amock on set, the politics, the editing room, the DI and the premier of the film, Jeff will share the dirty secrets that form a complete visual effects project.

In this demonstration the instructor starts off by explaining the nodes that will be used throughout the rest of the DVD. From there he goes into depth on how to create a material that can transition from one set of textures and parameters, into another. He also gets into how to make a character completely dissolve away.

In this demonstration the instructor starts off by explaining the nodes that will be used throughout the rest of the DVD. From there he goes into depth on how to create a material that can transition from one set of textures and parameters, into another. He also gets into how to make a character completely dissolve away.

Take a journey to another world with Lee Lanier and learn how to animate and render a professional-looking space scene with Maya. In this course, the first in a two-part series, Lee provides you with two prebuilt models, a spaceship and an asteroid, which you'll keyframe to create a near-miss meeting in an orbit around an alien planet. You'll also add cameras, light your scene, and set up render layers and mental ray render passes to give the animation color and depth. Last, Lee shows you how to focus the ship's laser beam on the asteroid, shattering its surface with a dynamic simulation and kicking up clouds of space dust with nParticles, and then render your results.

What makes a 3D space battle even more spectacular? Compositing in Adobe After Effects. Learn to take the render-pass sequences of the spaceship versus asteroid scene you created in part 1 of this series and recombine them in After Effects. Author Lee Lanier shows how to integrate shading and color in your render passes, animate the flames emitting from the spaceship, and create a particle simulation that makes the asteroid explosion seem more realistic. You'll also learn to replicate glows, lens flares, film grain, and camera motion along the way.