Two 16th-century masters of the Spanish vihuela, speaking afresh to the 21st century through the modern guitar of Giuseppe Chiaramonte.
Although Bach obviously felt at home composing for the recorder and used it in important works such as the Brandenburg Concertos and several cantatas, he never composed a concerto for solo recorder - in fact, he only wrote original solo concertos for harpsichord and violin.
Research, experimentation, discovery and rediscovery of new forms and ways of expression are the basis of a musician’s work and, in the realisation of this project, they represent the cornerstones of an artistic partnership intended to give value to an important part of the saxophone repertoire, namely that related to transcriptions with piano accompaniment. Though the saxophone is a relatively recent instrument, it became a leading protagonist on the musical scene of the 20th century.
Giuseppe Bruno graduated with honors in Piano, Composition and Conductorship with Professors Specchi, Zangelmi and Taverna. Maestro Bruno specialized in piano with Paolo Bordoni and in conductorship with Leopold Hager. He has attended a seminar in composition at the IRCAM in Paris. Performing for several years as a pianist in many different chamber ensembles as well as a brilliant soloist. He has played with many important orchestras in Italy, USA, Greece, Romania and Germany in a repertory that goes from Mozart to Dallapiccola. From 1987 to 1992 he participated in the “Due Mondi” festival in Spoleto Italy and in 1988 in the Charleston festival in the USA.
Research, experimentation, discovery and rediscovery of new forms and ways of expression are the basis of a musician’s work and, in the realisation of this project, they represent the cornerstones of an artistic partnership intended to give value to an important part of the saxophone repertoire, namely that related to transcriptions with piano accompaniment. Though the saxophone is a relatively recent instrument, it became a leading protagonist on the musical scene of the 20th century.
The unpublished CD features Giuseppe Andaloro, piano, Gianna Fratta, conductor and the Sicilian Symphony Orchestra, in a tribute to the most virtuoso of the romantics, Franz Liszt:Mazeppa, poema sinfonico No. 6 - Piano Concerto N. 1 - Totentanz - Rapsodia Ungherese No. 12 per pianoforte.