The Concord Jazz Guitar Collective was a 1995 project that united Howard Alden with fellow guitarists and Concord artists Jimmy Bruno and Frank Vignola. For Concord, a three-guitar date was hardly unprecedented; back in 1974, the label had brought Barney Kessel, Charlie Byrd, and Herb Ellis together as the Great Guitars. Despite the fact that they all play the same instrument, Alden, Bruno, and Vignola prove compatible on this outing, which also employs Jim Hughart on upright bass and Colin Bailey on drums. Although Bruno tends to be more aggressive and forceful than Alden, he can be quite lyrical when he wants to; and while Alden isn't as hard a player as Bruno, he definitely swings. The two have a strong rapport on uptempo numbers like Charlie Parker's "Ornithology," Sam Jones' "Bittersweet," and Benny Goodman's "Seven Come Eleven," as well as on more relaxed performances like Django Reinhardt's "Song D'Autumne"…
Essential vocabulary, technique & insight for jazz blues guitar Jazzers, rockers, bluesmen, twangers, funksters, metal heads and polka players take note - this highly addictive new set of jazz blues guitar lessons from monster of the six-string, Frank Vignola, will inject such massive degrees of soul and groove into your improvisations that you'll likely not be able to put your instrument down for weeks on end. So, skip the following description, download the course immediately and bid your family and friends a loving fare thee well. You're gonna be happily busy for a while.
“My memories of the Balboa show are filled with adrenaline, wonder and joy,” says the acclaimed and Grammy-nominated acoustic guitarist, singer and songwriter TOMMY EMMANUEL about his new digital-only live album TOMMY EMMANUEL–LIVE FROM THE BALBOA THEATRE out February 12 on his label, CGP Sounds. Listen here to the album’s first single “Locomotivation,” released today (February 5), and watch the video here. Pre-save and pre-add the album here.
American guitarist Frank Vignola fronts this contemporized version of the classic Django Reinhardt-Stephane Grappelli combo, joined by 58-year-old Uruguayan violinist Federico Britos, second guitarist Eric Bogart and bassist Phil Flanagan. They swing through several of the original Hot Club's classics, American popular standards, and a couple of unexpected asides. Of the repertoire joined at the hip to Reinhardt and Grappelli, the well-swung "Djangology" shows Vignola as a mad hatter with triple time and twiddling phraseology, even at slower tempos. The gypsy anthem "Dark Eyes" has the two guitarists rumbling in flamenco style, Britos soloing all alone before Vignola wrests the swing away from him. Vignola is a furious demon of strummed chords, churning up a storm during the bookended selections "I Found a New Baby" and the hot, hot, hot "Stompin' at Decca"…