Pianist Anna Gourari’s ECM debut, 2012’s Canto Oscuro, earned praise far and wide. Gramophone declared her version of the Bach-Busoni Chaconne “one of the most riveting on record,” while The Absolute Sound judged the entire disc “devastating.” Visions fugitives, Gourari’s second ECM release, showcases the intense beauty of her sound in Prokofiev’s title work, a set of 20 “fleeting visions” whose moods swing from lyrical to sardonic, grotesque to calm, melancholy to boisterous, nostalgic to insistent, and back again. The album also features Medtner’s “Fairy Tale in F minor”, from one of his sets of skazki – tales of musical figments, of melodies and harmonies, rhythmic profiles and altered chords, shapes and gestures and atmospheres.
Works from three different musical eras seemingly unconnected – but in the mind of Pianist Stephen Beville very linked – hence the album title – as inspired by Visions and Ventures: Bach always a visionary musically and guided by his religious faith; Beethoven venturing into Romanticism with revolutionary ideas and optimism for a better world; Prokofiev caught up in the unrest in pre-revolutionary Russia, sketching pieces to escape the political turmoil – at least in his imagination. The Visions Fugitives come from a composer in his mid-twenties, just graduated and full of musical confidence, and are typically Prokofievian while some contain radical modernist elements. The Beethoven Sonata is likewise the work of a young 26-year old. It is full of playful invention and optimism and is perhaps one his most appealing works. Stephen Beville was acclaimed in 2010 as ‘one of the most talented young musicians to emerge from the UK’. (Frankfurter Neue Press).
Tracks such as beat heavy opener “Radioactive” and the masterfully layered “Demons” could be performed acoustically around the campfire or electrified in concert. “Tiptoe” has elements of classic ‘80s technopop, while “On Top of the World” is a joyous handclap-driven number with big harmony vocals on the chorus and happy drumming. Both the airplay-friendly sound and thoughtful lyrics of “Every Night” are timeless.
Nicholas Angelich’s new album is dedicated to Prokofiev, the so-called unclassifiable artist– considered revolutionary by some, neo-classical by others. Coming to public attention as a virtuoso pianist, Sergei Prokofiev left a fascinating body of work, that of a composer torn between two societies, between the culture of his homeland and the unchallenged culture of the West.
Austrian coed-metal act Visions of Atlantis has been through a lot. With six studio albums since 2002, several lineup changes (including the sad death of vocalist Nicole Bogner to illness in 2012), to the point of the drummer being the sole original member… the band has been rigorously tested in a crucible in under two decades. Thankfully, with the arrival of new album Wanderers on 31 August, the lineup remains mostly intact since the previous album…
A wicked late Blue Note album from Grant Green – quite different than his smaller combo work from the early years, and done with some great larger arrangements that feature some ultra-hip vibes from the legendary Billy Wooten! Wooten's as great here as on his famous work with the Ninteenth Whole, and his vibes bring a nice edge to the record – ringing out in bold chromatic tones behind Green's guitar – amidst some warm electric backings that feature keyboards from Emmanuel Riggins, drums from Idris Muhammad, and congas from Ray Armando.
Formed in 2000, Visions of Atlantis have been through quite a few lineup changes over the years with drummer Thomas Caser being the only original member left in the band. Current vocalist Clementine Delauney is the band’s fifth female vocalist over the past 19 years, and having joined in 2013 is the second longest serving member of the band’s current lineup. Before joining Visions of Atlantis she sang with Whyzdom and Serenity…