Visiteurs

Le grand retour des Visiteurs, film très musical (40 minutes de musique dans le film), avec en thème récurrent et au générique le remix du célèbre titre Enae Volare d'ERA.
On retrouve de nouveau Eric Lévi en tant que compositeur de la musique originale de Les Visiteurs La Révolution. Pour ce nouvel opus, il a imaginé de nouvelles compositions mais a également arrangé des morceaux cultes tirés des Visiteurs précédents tel que le titre Enae Volare.

Eric Neveux has composed original music for 60 feature films, as well as a variety of scores for TV movies and series. Recent score highlights include two installments of director Rachid Bouchareb’s American Trilogy; Just Like a Woman (starring Sienna Miller and Golshifteh Farahani), and Two Men in Town(2014), with Forest Whitaker and Harvey Keitel; and later, Bouchareb’s film Road to Istanbul in 2016 (the last two being official selections of the Berlin Film Festival). Eric’s passion for independent film is further illustrated by his work on titles such as La Vie Domestique by Isabelle Czajka, Standing Tall (La Tête Haute) by Emmanuelle Bercot, the Cannes Film Festival’s opening film in 2015, The Attack (2013), and The Insult (2017), by Ziad Doueiri which was nominated for Best Foreign Language Film at the 90th Academy Awards.

Pour la 1ère fois en CD, les versions 100 % originales des enregistrements de Marie Myriam enfin rééditées ! Marianne Mélodie est heureuse de célébrer cette immense artiste, 45 ans après sa victoire à l'Eurovision !

Increasingly detached from the original punk formula, the modern and arty youth of the early eighties set itself to jettison an artform that had lost much of the nihilistic and exhilarating energy of its halcyon days, stuck, as it was, in an endless and noisy regression. No Future was the motto of an artform without a cause that no longer echoed with the mindset of the time. Disheartened but eager to experiment and create, a new wave of French musician followed the beacon of Jacno’s seminal 79 hit “Rectangle”, a visionary, digital coup de grâce ,courtesy of a former punk which dealt the Rickenbacker and Fender era a fatal blow. The cold and robot-like bips of analogic keyboards took over. Casio, Korg MS 10, Arp Omni were the new paraphernalia of the növö generation. The ideal conveyers of its retro-futurist elegance and self-professed cold arrogance. They were pinnacles and symbols which turned as potent a fetiche as the electric guitar in the fifties or the laptop in the nineties.BIPP recalls the glory of a selected few. The cream of the crop of the shooting stars and cult band that followed in the footsteps of Kas Product, Mathematiques Modernes or Charles de Goal.