This recording brings together all the arrangements for harpsichord by Bach of instrumental concertos by his Italian contemporary Antonio Vivaldi, adding those of one concerto each by the brothers Alessandro and Benedetto Marcello. They are performed by Sophie Yates who has made a series of solo CDs for Chandos, many of which have won international awards. She has been described by Gramophone as ‘hugely talented’ and by BBC Music as playing ‘with exceptional poise’.
This recording brings together all the arrangements for harpsichord by Bach of instrumental concertos by his Italian contemporary Antonio Vivaldi, adding those of one concerto each by the brothers Alessandro and Benedetto Marcello. They are performed by Sophie Yates who has made a series of solo CDs for Chandos, many of which have won international awards. She has been described by Gramophone as ‘hugely talented’ and by BBC Music as playing ‘with exceptional poise’.
The Academy of Ancient Music (AAM) is a British period-instrument orchestra based in Cambridge, England. Founded by harpsichordist Christopher Hogwood in 1973, it was named after an 18th-century organisation of the same name (originally the Academy of Vocal Music). The musicians play on either original instruments from the period when the music was composed or modern copies of such instruments. They generally play Baroque, Classical, and sometimes Romantic music, though they have also played some new compositions for baroque orchestra in recent years.
L'estro armonico, the title of Vivaldi's first published collection of concertos, is commonly translated into English as "harmonic fancy." However, the word oestrus actually means "heat, stimulus, vehement impulse or frenzy" - a better allusion to the startling passion and energy of these twelve concertos, which are widely considered to be among the most influential Baroque orchestral music ever written. Following on their successful and widely acclaimed releases of Vivaldi's La Cetra and La Stravaganza, this release by Rachel Podger and her ensemble Brecon Baroque captures all of the vitality and freshness of Vivaldi's invention: its rhythmic energy, melodic and harmonic intensity, textural sensuousness, technical brilliance and dramatic flair.
Vivaldi augmented his reputation as The Red Priest with L'Estro Armonico , Op. 3, a collection of twelve concertos for one, two and four violins. The title of the collection encapsulates the qualities that so entranced Vivaldi's contemporaries. L Estro Armonico , which might be translated as musical rapture , reflects the vitality and freshness of Vivaldi's invention: its rhythmic energy, melodic and harmonic intensity,textural sensuousness,performative brilliance and dramatic flair.