Recorded in 2002, this release contains a unique program of the complete overtures of all Vivaldi’s operas. As an opera composer, Vivaldi has long been neglected, but these works showcase his great dramatic genius. Performances on period instruments by Modo Antiquo, conducted by Federico Maria Sardelli, one of the foremost specialists in this field, who has also recorded for full price labels such as Naïve and Deutsche Grammophon.
Naïve's Vivaldi! features Canadian contralto Marie-Nicole Lemieux in selections from Vivaldi operas and an excerpted version of his Stabat Mater, RV 621, limited just to the alto arias. All of this material is drawn from Naïve's standing catalog of Vivaldi recordings with the Ensemble Matheus, to which Lemieux has been a star contributor. Her work in duets with Philippe Jaroussky is duly noted for its resultant and memorable fireworks; some of these moments are included, along with a little bit of her work alongside popular soprano Sandrine Piau.
Vivaldi and the violin concerto? Vivaldi is the violin concerto! One must get past the cliché (‘Vivaldi composed the same concerto 500 times’) to understand the extent to which composer, instrument and genre form an indissoluble whole; and that is what Théotime Langlois de Swarte and the musicians of Le Consort have set out to do. From his early youth in Venice to his last days in Vienna, the ‘red-haired priest’ pushed back technical and academic boundaries, constantly creating new narrative forms: the journey of a lifetime.
A new recording from Roberta Invernizzi always gives pleasure, but on the rare occasion when the Italian soprano is placed in the spotlight, as with this new collection of opera arias, it promises something very special indeed. Invernizzi is known for her style and drama in the music of the Baroque (as on recent discs of Handel and Campra). This new journey, on Glossa, showcases Vivaldi’s own fertile dramatic capacity to capture moods and a whole range of emotional highs and lows embracing anger, despair, anxiety, amorous frustration and touching intensity. Invernizzi triumphs, crowned by her electrifying performance of 'Dopo un’orrida procella' from 'Griselda'.
Autumn 2017 marks the celebration of our 30th anniversary. It is to better serve our great Canadian musicians that the recording company Analekta was founded in 1987. Through the hundreds of albums and thousands of works recorded since its inception, Analekta has always strived to achieve perfection…