Vst Compressor

The VST Rack Pro software included with the RUio16-D is plug-in host software that uses VST plug-ins, letting you create the exact effect rack you want. This software is available for both Mac and Windows computers, and gives you the ability to build your own plug-in environment with both freedom and flexibility. By adding the RUio16-D with its compact form factor to the VST Rack Pro that brings so much freedom to your touring system, you’ll be able to offer the sounds you always use from the plug-ins you’re accustomed to using, even in environments that differ from the ones in which you typically perform.

The Liquid Bundle gives you a variety of incredible effects plug-ins. The plug-ins in this bundle include Liquid Compressor II, Liquid Delays II, Liquid Gate II, Liquid Mod II, Liquid Phase II and Liquid Verb II. These tools are ideal for the sound designer, mixer and musician. And although this plug-ins provides intuitive and simple controls, the sound quality they deliver is full and warm. Plus, Liquid plug-ins operates efficiently to avoid over-taxing your CPU resources.

The Blue Tubes Analog TrackBox is not an update or a replacement for our very popular Blue Tubes Bundle, but complementary unit that incorporates a substantially different combination of elements. The Blue Tubes Analog TrackBox is an all-purpose channel strip tool designed with the ultimate in sound quality and audio character for maximum musical flexibility.

Transparent compression action is a cornerstone for any mastering compressor. Transparency is necessary to preserve all existing elements in the mix, while compression itself is necessary to make the mix sound uniform to other mixes (tracks) and to make it sound more solid.

Maximus is a pristine quality Mastering Maximizer, and more. It's also a Limiter, Compressor, Noise Gate, Expander, Ducker and De-esser. Maximus excels equally well as a final mastering plugin or as a per-track effect. Maximus applies level maximization via compression and/or limiting across three frequency bands, to enhance and improve the final track.

For many years, Abbey Road benefited from the talents of EMI’s research and development division, which custom-built mixing consoles and outboard gear to meet the demands and ambitions of the studio engineers and the artists they worked with. Most of this equipment was only available to EMI studios and was never sold commercially. This equipment, combined with the expertise of our engineers and the unique acoustic properties of the studios, enabled what has come to be known as the “Abbey Road Sound”, which can be heard on some of the most popular recordings of all time.