Wah Pedal

An exciting hour of discussions and demonstrations of contemporary blues-rock guitar playing. From bending and vibrato to phrasing and using effects, Blues offers an inside look into his personal style. The video includes a close-up view of his tapping and right-hand pick and fingers technique as well as his use of the whammy-bar and wah-wah pedal.

Within a month after finishing "The Green Manalishi" - Peter Green’s swansong as guiding creative force behind the earliest version of Fleetwood Mac - he departed the group to record with a rhythm section. What emerged was his first solo album, "The End Of The Game" and it was as much a departure from "The Green Manalishi" as that same track had been from the rest of Fleetwood Mac’s entire output. Through three tracks per side, Green pursued a far looser strand of improvisational rock comprised of wholly instrumental outings that were entirely un-bluesy, extemporaneous free rock borne on the wings of Green’s guitar with its expansive tone evoking the loosest of feels, often drenched with emotional wah-wah pedal use of hair triggered sensitivity…

Don Cherry - Brown Rice (1976) {A&M 397 001-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 241 Mb | MP3 @320 -> 92 Mb
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© 1976, 1989 A&M Records / Polydor / PolyGram | 397 001-2
Jazz / Avant-Garde Jazz / Free Funk / Trumpet

If Eternal Rhythm was Don Cherry's world fusion masterpiece of the '60s, then Brown Rice is its equivalent for the '70s. But where Eternal Rhythm set global influences in a free jazz framework, Brown Rice's core sound is substantially different, wedding Indian, African, and Arabic music to Miles Davis' electrified jazz-rock innovations. And although purists will likely react here the same way they did to post-Bitches Brew Davis, Brown Rice is a stunning success by any other standard. By turns hypnotic and exhilarating, the record sounds utterly otherworldly: the polyrhythmic grooves are deep and driving, the soloing spiritual and free, and the plentiful recording effects trippy and mysterious.

Band of Gypsys was the only live recording authorized by Jimi Hendrix before his death. It was recorded and released in order to get Hendrix out from under a contractual obligation that had been hanging over his head for a couple years. Helping him out were longtime friends Billy Cox on bass and Buddy Miles on the drums because the Experience had broken up in June of 1969, following a show in Denver…

Miles Davis - Miles Davis At Newport 1955-1975: The Bootleg Series Vol. 4 (2015) [4CD Set] {Columbia}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.59 Gb | MP3 @320 -> 707 Mb
Full Artwork @ 600 dpi (png) -> 1.58 Gb | 5% repair rar
© 2015 Columbia / Legacy / Sony Music | 88875081952
Jazz / Bop / Hard Bop / Modal Music / Jazz Funk / Fusion / Trumpet

Miles Davis’ 20-year association as an artist at impresario George Wein’s renowned Newport Jazz Festival is a thriving tradition celebrated with the release of MILES DAVIS AT NEWPORT 1955-1975: THE BOOTLEG SERIES VOL. 4, released 60 years to the date since Davis’ breakthrough performance at Newport in 1955. The four-CD box set is comprised of live performances by Miles’ stellar band lineups in 1955, 1958, 1966, 1967, 1969, 1971, 1973, and 1975, in Newport, Rhode Island, New York City, Berlin, and Switzerland. (All tracks previously unreleased, except where otherwise indicated).