War Song

War got decent mileage from the soundtrack for this B-movie, which premiered near the end of the first blaxploitation era. They ended with two R&B hits, and while they were perturbed that United Artists, the label they had left, reaped the benefits, it at least kept them active and in the R&B hunt.

On last November's Record Store Day Black Friday event, Rhino revisited WAR's 1972 classic The World Is a Ghetto for its 50th anniversary on five newly-remastered 140-gram LPs; a four-channel surround Quadio release followed on Blu-ray. The hard-hitting, socially-conscious soul-jazz-funk-blues-rock-psychedelia best-seller was the California band's fifth album and third following the departure of vocalist Eric Burdon of The Animals. On July 19, the landmark 5LP box featuring previously unreleased session tracks and "making of" montages will be released on 4 CDs and digitally.

Cut from the same cloth as the band's 1973 Deliver the Word LP, War's 1975 Why Can't We Be Friends? is a masterpiece in its scope and breadth. And, emerging as the last work the band would do for its longtime label, United Artists, it became a fitting swansong, powering up the charts and giving War its fourth and final number one hit…

War Child was Jethro Tull's first album after two chart-toppers, Thick as a Brick and A Passion Play, and was one of those records that was a hit the day it was announced (it was certified platinum based on pre-orders, the last Tull album to earn platinum record status). It never made the impression of its predecessors, however, as it was a return to standard-length songs following two epic-length pieces. It was inevitable that the material would lack power, if only because the opportunity for development that gave Thick as a Brick and A Passion Play some of their power. Additionally, the music was no longer quite able to cover for the obscurity of Tull's lyrics ("Two Fingers" being the best example). The title track is reasonably successful, but "Queen and Country" seems repetitive and pointless…