Though it was dismissed as morbid and self-indulgent upon its initial 1973 release, critics and audiences alike have come to view Lou Reed's unquestionably grandiose concept album, BERLIN, as one of the high points of his solo career. The album's narrative arc traces the trajectory of a doomed, defiantly self-destructive romance in the modern German city, and pits dark,cabaret influenced orchestration against Reed's deadpan vocals to remarkably chilling effect. The album's bleak, incisive lyrics and unapologetically melodramatic atmosphere would prove influential in the years to come.
For about the thousandth time, these very early recordings by Walter Becker and Donald Fagen that have remained officially unreleased for a reason: they're terrible and only vaguely resemble the actual Steely Dan that came years later. This is not to say that there is no merit to them, only very little, and only for those who are so obsessed by the Steely Dan legend they need to hear every bent note, of which there are plenty here. This is another shabby Dressed to Kill effort that should be avoided. Period.
The Warehouse is the official fan association for Dave Matthews Band. Founded on December 4, 1998, Warehouse gives fan early access to concert tickets, exclusive CDs and merchandise to its members.