The great trumpeter's set here was recorded live at the Warsaw Jamboree Jazz Festival in 1991 with Michael Urbaniak on violin, Donald Braden on tenor sax, Ronnie Matthew on piano, Jeff Chambers on bass and Ralph Penland on drums.
A beautifully intimate performance to listen in on, Porcupine Tree's live CD, Warszawa, consists of a radio broadcast the band made for a small Polish audience in 2001. The group's customary languid, glassy feel stays intact, but certain musical elements, especially Steven Wilson's evocative vocals, occasionally reach gloriously unexpected moments of rawness and rapture…
The ElectroAcoustic Ensemble was formed in 1990 as a sextet to explore the possibilities of real-time signal processing in an improvising context. and shortly became an opus magnum ensemble in the whole of Evan Parker's musical biography. Most of the CDs documenting the development of this exciting large ensemble were released by the legendary ECM label. The last time when EAE brought us its new CD titled Hasselt was nine years ago (PSI). Now, after this very long period, we proudly announce the brand new Evan Parker Electro-Acoustic Ensemble is coming! Beautifully recorded two years ago on the Warsaw-based festival Ad Libitum by Kuba Sosulski and beautifully mixed by Fil Gomez and Evan Parker himself in the middle of 2020 at Arcobarco, Ramsgate, UK. So let's listen and enjoying the ten pieces ensemble led by one of the greatest musicians in the world. Here comes WARSZAWA 2019.
Reedycja koncertu wydanego na dwóch płytach analogowych w 1982 roku. Album składa się z 18 utworów. Usłyszymy m.in. takie utwory jak: Cancion De Las Voces Serenas, Taki pejzaż, Cyganka, Pocałunki.
The third installment in a comprehensive deluxe reissue series of David Bowie's entire catalog, A New Career in a New Town (1977-1982) chronicles perhaps the most artistically ambitious phase in Bowie's career – one that began with 1977's Low and concluded with 1980's Scary Monsters (And Super Creeps)…
Saxophonist Donny McCaslin’s fiercely creative quartet chosen by David Bowie to play on Blackstar, the album that would be his swansong, after he heard them in the 55 Bar one fateful New York night in 2014. Two years and an immoderate amount of mainstream press attention later, here is the 50-year-old saxophonist’s heartfelt tribute to his erstwhile boss. McCaslin and his colleagues – keyboardist Jason Lindner, bassist Tim Lefebvre and drummer Mark Guiliana – were already the sort of voracious, open-minded musicians who were drawing inspiration from the creative end of rock’n’roll. But the time spent with Bowie has clearly marked them. Concise, hard-edged, dark and mysterious, Beyond Now sounds like the future of music. There could be no more fitting tribute to the man who sought them out.