Was Ist Stahl

ENDE VOM LIED is a genre-spanning collection of punk, post-punk and avant-garde bands from the former East Germany, chronicling the work of free spirits pitted against government restraints and implied genre limitations. The underground scene in the GDR was a hydra, a noisy mix of musicians, poets, pain¬ters, photographers, filmmakers, punks and freaks. In the immediate aftermath of the primal scream that was punk, music often bred with poetry or painting in short-lived liaisons or enduring collaborations to produce a new generation of genre bastards. With the lines blurring between forms, a search for new shapes began. In the German Democratic Republic, this search constituted a tightrope walk, a dance for expression between subculture and a dictatorship.

ENDE VOM LIED is a genre-spanning collection of punk, post-punk and avant-garde bands from the former East Germany, chronicling the work of free spirits pitted against government restraints and implied genre limitations. The underground scene in the GDR was a hydra, a noisy mix of musicians, poets, pain¬ters, photographers, filmmakers, punks and freaks. In the immediate aftermath of the primal scream that was punk, music often bred with poetry or painting in short-lived liaisons or enduring collaborations to produce a new generation of genre bastards. With the lines blurring between forms, a search for new shapes began. In the German Democratic Republic, this search constituted a tightrope walk, a dance for expression between subculture and a dictatorship.

Pauline is the musical portrait of the gifted, unconventional and unique woman in the songs of her husband Richard Strauss. Richard Strauss became acquainted with Pauline de Ahna - a valued young singer from Ingoldstadt, when they were just beginning to establish their musical careers. Richard took his first job as Kapellmeister in Weimar and took Pauline there. He also recommended her to Bayreuth, where she sang Elisabeth in Tannhäuser. From this common time the girls' flowers op. 22 come. We owe most of Pauline's songwriting to Richard Strauss, who often interpreted her husband's songs on concert tours.

"…zeigt auf großartige Art und Weise, warum BETONTOD zu Recht seit Jahren zu den wichtigsten Vertretern des Deutschpunk gezählt werden!" LEGACY "Wenn Auftritte einmalig sind und in vergleichbarer Form keine Wiederholung mehr möglich ist, schreit dies förmlich nach einer Live-Veröffentlichung. So auch im Falle von Betontod, die am 17.