Live Trax Vol. 60 takes us back to 1995, finding the band in the middle of forging a now classic sound; with a twist. David Ryan Harris, who was touring in support of DMB as part of Dionne Farris’ band, sits on electric guitar to add some firepower to Rhyme & Reason and Jimi Thing. Near the end of a segue way laced set, Dave gives a glimpse into the future with a solo acoustic version of an early Raven, with Little Thing folded in throughout. Listening back to this era, with its equal parts intimacy and intensity should be a joy for fans of any era of the band!
While Johnny Cash at Folsom Prison, the 1968 album that made Cash a household word, spent only two weeks at No. 1, this 1969 follow-up topped the charts for 20 weeks. As with Folsom, the San Quentin LP had to be edited due to space limitations. Now, 31 years after the fact, the show can at last be heard in true perspective. All the original performances hold up, including the album's hit single: Shel Silverstein's "A Boy Named Sue," presented unbleeped for the first time. Equally impressive are the eight restored tracks and unexpurgated between-song patter. Cash's opening renditions of "Big River" and "I Still Miss Someone" are bracing. So are four closing songs teaming Cash with his complete performing troupe (the Carter Family, Carl Perkins, and the Statler Brothers). Their gospel performances ("He Turned the Water into Wine," "The Old Account," and an early version of "Daddy Sang Bass") are electrifying, as is a concluding medley featuring everyone. Cash is presented here at his roaring, primal best.
The Best of Cold Chisel: All for You is a greatest hits album released in October 2011 by Australian rock band, Cold Chisel. It debuted at No.2 in Australia. A limited edition included a bonus disc that featured a dozen of the band's most loved covers. A Deluxe edition was released in 28 September 2018. In 2019, the album was certified 4x Platinum in Australia.
Johnny Cash released more than half a dozen gospel albums during his career, beginning with 1959's Hymns by Johnny Cash, and he scattered gospel tunes throughout his other works as well. A deeply religious man, he sang his songs of praise with as much, or perhaps more, conviction as he did his secular material – even the most skeptical non-believer would have to appreciate the honesty and soul of Cash's gospel recordings. Cash: Ultimate Gospel collects 24 of his best, most drawn from his Columbia catalog with a pair ("I Was There When It Happened" and "Belshazzar") emanating from Cash's early Sun Records period, and two ("Oh Come, Angel Band" and "Children Go Where I Send Thee") originally on the Cachet label.
Speechless, Bruce Cockburn's first foray into completely instrumental territory, is proof in the pudding that you can teach an old dog new tricks. There are 15 tracks here, the vast majority of which are redos of tracks from Cockburn's catalog. But given their treatment – many of them done as solo guitar pieces – the dearth of new material doesn't even matter. In fact, one could venture to say that these feel like altogether new pieces. Cockburn is a master guitarist; he often interweaves jazz, blues, country, and folk styles into his cross-genre songs. Here he shines, pure and simple. "Train in the Rain" (anyone notice how many of his songs are about trains and travel?) touches on Leo Kottke and Peter Lang; "Water into Wine" utilizes flamenco stylings while crossing into Gypsy jazz chords à la Charlie Byrd. A new work, "Elegy," kisses the modalities of "Greensleeves" while creating itself as a piece that evokes both absence and memory. "Rouler Sa Bosse" from Salt, Sun and Time juxtaposes Cockburn's six-string against Jack Zaza's clarinet, and becomes a straight-up gently swinging jazz tune.
This great album has been originally released on Danish Parlophone label in 1969 and is usually considered as one of the best, late 60's rock records ever recorded in Scandinavia! This LP is best described as an early progressive rock effort with very electic mixture of blues, beat and heavy psychedelia - with superb and intensive guitar work throughout, some brass section phrases and solid drumming. Comparing their music to the bands like Cream, Taste, Love Sculpture, Cuby & The Blizzards and Beefeathers will definitely not be exaggerated. Unfortunately, it was the only title released under the Delta Blues Band name (apart from 1979 LP with one Billy Cross). This CD edition has been carefully remastered from the original, analogue source and sounds really great!