Wave Antonio Carlos Jobim

The second Jobim - Ogerman instrumental by all means recreates the atmosphere of the first one.The Composer of Desafinado Plays, and if you liked that one, you'll like Wave too. Recorded in 1967 by Jobim on piano and guitar and Claus Ogerman's orchestra, this album features some of Jobim's standards like Wave, Triste and Lamento No Morro.This album is a must for any serious Jobim's fans and all lovers of cool and soft bossa nova sound.

Direct from Brazil comes this deeply appreciative musical tribute to Antonio Carlos Jobim (1927-1994), co-founder and leading composer of the Bossa Nova.
With over four hundred songs to his credit, Jobim virtually single-handedly brought the Bossa Nova to the world, where it became a staple ingredient in the jazz cookbook. Jobim's new sound adapted the rhythmic variety and percussive excitement of the samba to the intimacy of syncopated guitar, while echoing the melodies and harmonies of cool jazz.

Antonio Carlos Jobim - Wave (1967) {A&M Records CD0812 rel 1988}
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© 1967, 1988 A&M Records | CD 0812
Jazz / Latin Jazz / Bossa Nova / Brazilian Jazz

When Creed Taylor left Verve/MGM for his own label under the auspices of A&M, he quickly signed Antonio Carlos Jobim and they picked up right where they left off with this stunningly seductive record, possibly Jobim's best. Jobim contributes his sparely rhythmic acoustic guitar, simple melodic piano style, a guest turn at the harpsichord, and even a vocal on "Lamento," while Claus Ogerman lends a romantically brooding hand with the charts.

Brazil's towering figure of bossa nova, both as a performer and, even more importantly, as a composer.
It has been said that Antonio Carlos Brasileiro de Almeida Jobim was the George Gershwin of Brazil, and there is a solid ring of truth in that, for both contributed large bodies of songs to the jazz repertoire, both expanded their reach into the concert hall, and both tend to symbolize their countries in the eyes of the rest of the world. With their gracefully urbane, sensuously aching melodies and harmonies, Jobim's songs gave jazz musicians in the 1960s a quiet, strikingly original alternative to their traditional Tin Pan Alley source.

Verve finally made a good remaster of the old Carlos Jobin classics. All the original songs like the famous "The Girl From Ipanema", "Wave", "Triste", "Desafinado" and many other are very well restored giving full frequency and dynamic range to the music.
It has been said that Antonio Carlos Brasileiro de Almeida Jobim was the George Gershwin of Brazil, and there is a solid ring of truth in that, for both contributed large bodies of songs to the jazz repertoire, both expanded their reach into the concert hall, and both tend to symbolize their countries in the eyes of the rest of the world. With their gracefully urbane, sensuously aching melodies and harmonies, Jobim's songs gave jazz musicians in the 1960s a quiet, strikingly original alternative to their traditional Tin Pan Alley source.