Waves Clavinet

With stunning acoustic guitar duels, two young men from the south of Germany gathered a loyal following with their brilliant dialogues. Ralf Illenberger from Stuttgart and his partner Martin Kolbe from Herrenberg, were drawn in by the folk and guitar boom that was everywhere in the seventies. In 1977 they got together and developed their style with the first albums “Waves” and “Colouring The Leaves”: they conjured up huge, orchestral sounds, using dynamism and melodies rather than technical blending.

Post-Fungus Enbglish keyboards/drums duo, led by Ken Elliot and Kieran O'Connor.Both have worked together in the Psychedelic Rock band Second Hand and its natural continuation Chillum, who had a more experimental sound.It was a while the two musicians hadn't worked together and Seventh Wave started actually as a project of experimenting with keyboards and drums…

The third and final collaboration between flutist Bobbi Humphrey and Larry Mizell also marked the end of Humphrey's five-album run with Blue Note Records. Humphrey began recording with Larry and his brother Fonce (who provides arrangements and plays clavinet and trumpet here) in the aftermath of Donald Byrd's Black Byrd, the collaborative jazz-funk effort that resulted in a massively successful (and influential) commercial breakthrough for the trumpeter and the label. While not as well known as her Blacks and Blues album, her stellar debut with the pair from 1973, Fancy Dancer is every bit its aesthetic equal.

Michael Quatro Jam Band - Look Deeply Into The Mirror
FLAC | Artwork | 24Bit 96kHz: 702 MB | 16Bit 44.1kHz: 213 MB
Cat#: Bellaphon BI 15174 | Country/Year: Germany 1973
Genre: Prog Rock, Pop Rock | Hoster: Filesonic/Uploaded

Mike Quatro is a singer and songwriter who released several albums in the 1970s. These albums became especially popular in Detroit, Michigan, where Quatro was popular on the club scene. He is the brother of Suzi Quatro…

The first studio album of Band originals since 1971's Cahoot – in many respects, Northern Lights-Southern Cross was viewed as a comeback. It also can be seen as a swan song, in that its recording marked the last time the five members would work together in the studio as a permanent group, with a commitment to making a record they would tour behind and build on as a working band. The album was also, ironically enough, the Band's finest since their self-titled sophomore effort, even outdoing Stage Fright.