Mosaic Records continues to repackage and remaster previously released and unreleased material by jazz legends past and present. Here, the ongoing saga continues with this sharply produced set featuring trumpeter Lee Morgan and saxophonist Wayne Shorter's recordings for the now defunct, Chicago, IL-based Vee-Jay recording label. With this six-CD compilation, the listener will find meticulously detailed annotations of the story behind Vee-Jay, chronological accounts of the musicians' backgrounds and basically what was transpiring during 1959 and 1961, which denotes the time frame of these sessions.
“He’s at the highest level of our music—you can’t get any higher than him.” So says Wynton Marsalis of the legendary saxophonist, composer, and band leader Wayne Shorter. With a legendary career spanning over 60 years, the 11-time GRAMMY award winner (including a Lifetime Achievement Award from the Recording Academy) has released countless classic records and amassed a canon of lyrical, introspective music that stands up to the greatest jazz composers. In 2015, the formidable 81-year-old joined the Jazz at Lincoln Center Orchestra with Wynton Marsalis onstage for three unforgettable nights; the result is The Music of Wayne Shorter, out Jan. 31 on CD and digital formats.
It began almost as a lark when Carlos Santana encountered his longtime friend and hero Wayne Shorter on the concert trail in Atlanta, GA, in 1987. Carlos said, "Let's start a rumor that we're putting a band together." Wayne's eyes got bigger and brighter as he smiled and then responded: "Yeah, Carlos, let's start a rumor." A few months later the Carlos Santana/Wayne Shorter Band performed its debut concert at The Fillmore in San Francisco, the beginning of a 26-concert tour throughout the U.S. and Europe. The performance of this magnificent band was recorded at Montreux, Switzerland, on July 14, 1988, and includes interviews with Carlos Santana, Wayne Shorter and festival creator Claude Nobs.
Also known as Blues A La Carte, this Vee Jay disc has tenor-saxophonist Wayne Shorter's first session as a leader and it shows that, even at this early stage, Shorter was far along toward developing his own sound. Teamed up with trumpeter Lee Morgan, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb, the six selections (five of which are Shorter originals) capture the young tenor shortly after he joined Art Blakey's Jazz Messengers. The music is essentially hard bop and, although none of these Shorter tunes caught on, the music is quite enjoyable. A special treat is the one standard of the date, a swinging version of "Mack The Knife."