Wayward Cloud

The circumstances of the composition of Purcell’s only opera, Dido and Æneas, are unclear. First performed in the 1680s, it received few performances in the composer’s lifetime, before disappearing until its revival at the very end of the nineteenth century. This miniature, poetic, dramatic, delightfully melodic, and containing some unforgettably beautiful vocal pieces (Dido’s “Lament”, the Witches’ songs…) has enjoyed great success ever since.

James Galway is universally regarded as the supreme interpreter of the classical flute repertoire as well as a consummate entertainer whose appeal crosses all musical boundaries. Now for the first time ever, all of Sir James's recordings for RCA Red Seal are being issued together in a single box set.
With The Man with the Golden Flute performing the whole spectrum of classics from Baroque to modern, including virtually every important concerto and other solo music composed for his instrument, plus flute transcriptions from every corner of the repertoire and the globe the range and comprehensiveness of this set is staggering. Sir James s list of collaborators is a musical Who's Who in its own right: names like Martha Argerich, Cleo Laine, Andr Previn, Neville Marriner, Lorin Maazel and Michael Tilson Thomas as well as Galway s wife and fellow flautist Jeanne Galway, the Canadian Brass, Tokyo String Quartet and, needless to say, The Chieftains.

James Galway is universally regarded as the supreme interpreter of the classical flute repertoire as well as a consummate entertainer whose appeal crosses all musical boundaries. Now for the first time ever, all of Sir James's recordings for RCA Red Seal are being issued together in a single box set.
With The Man with the Golden Flute performing the whole spectrum of classics from Baroque to modern, including virtually every important concerto and other solo music composed for his instrument, plus flute transcriptions from every corner of the repertoire and the globe the range and comprehensiveness of this set is staggering. Sir James s list of collaborators is a musical Who's Who in its own right: names like Martha Argerich, Cleo Laine, Andr Previn, Neville Marriner, Lorin Maazel and Michael Tilson Thomas as well as Galway s wife and fellow flautist Jeanne Galway, the Canadian Brass, Tokyo String Quartet and, needless to say, The Chieftains.

HENRY PURCELL'S chamber opera, "Dido and Aeneas," is plentifully represented on disk, but Nicholas McGegan's new recording, with the Philharmonia Baroque and the Choir of Clare College, Cambridge is the freshest and most compelling since Andrew Parrott's magnificent account of 1981 (on Chandos). Mr. McGegan's soloists – Lorraine Hunt as Dido, Lisa Saffer as Belinda and Michael Dean as Aeneas – work wonders with the concise characterizations provided by Purcell and his librettist, Nahum Tate.