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Still Sucks (full title: Limp Bizkit Still Sucks) is the sixth studio album by American nu metal band Limp Bizkit, released on October 31, 2021, through Suretone Records.

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The Jacquelines maakten een sterke entree met ‘Gee Oh Gee’ (Sony Music Belgium) gereleased in januari 2013. De band was niet van de radio weg te slaan. De single ‘Hypochondria’ zit nog in het collectieve geheugen van velen, alsook het nummer ‘Gee oh Gee’ met de bijbehorende aanstekelijke clip. Vlaanderen danst zich nietsvermoedend een breuk op een song met een boodschap. Ook andere nummers zoals ‘Shiny Sara’ en ‘Japanese Boogie’ doen het goed op de radio. Sindsdien hebben The Jacquelines niet stilgezeten.

Soul Eyes was a poised, no-frills introduction to an artist with obvious potential for merging soul and jazz conventions with modern style. Kandace Springs' second album is a measured advancement from that 2016 release. Produced almost exclusively by Karriem Riggins, who for 25 years has illuminated recordings that land everywhere on the traditional-to-progressive spectrum, Indigo evinces Springs' versatility with a little more color.

Through a repertoire of Consort Songs for five violas and countertenor, the Céladon Ensemble tries to underline the obvious artistic connections between the music of english Renaissance and contemporary music. This parentage, this harmonic, rhythmic and poetic logic, opens a whole field of exploration into sound identity and tradition. How have such seemingly different composers, belonging to remote eras, dealt with timbre fusion in a similar way, with the same desire to deeply affect, to create a full-bodied sound, both powerful and soothing? The two eras are not placed in opposition for this concert, as Michael Nyman’s music arises naturally from that of his predecessors; on the contrary, it is a clever mix of genres that points out to surprising similarities between these works : we could easily believe that Tye’s Sit Fast was composed very recently. From one century to the next, we face a testimony brought to song by the timbre of a countertenor, the intensity of a violas consort that carries a certain magic, the paradoxical expression of a voice which is solitary but also becomes a seventh instrument, one of the violas.

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