Week 03 2024

This concert recording from Mozart Week 2024 focuses on Wolfgang Amade Mozart's and Anton Reicha's horn quintets, two major works of a genre that has been very rarely cultivated throughout music history.

This concert recording from Mozart Week 2024 focuses on the horn quintets of Wolfgang Amadeus Mozart and Anton Reicha, two major works representing a genre that has rarely been explored. After the Prague-born composer, music theorist and pedagogue Anton Reicha briefly tried to establish himself in Paris in 1799, he finally settled in the French metropolis in 1808. The Horn Quintet in E major, Op. 106 is one of his last compositions. It’s paired here with Mozart’s Rondo K.514 and the Horn Quintet K.407. This recording is of the Baborák Ensemble’s performance at this year’s Mozart Week in Salzburg.

This concert recording from Mozart Week 2024 focuses on Wolfgang Amade Mozart's and Anton Reicha's horn quintets, two major works of a genre that has been very rarely cultivated throughout music history.

These compositions accompany the story of someone who undertakes the difficult task of carrying out creative work on a weekly basis.

This concert recording from Mozart Week 2024 focuses on the horn quintets of Wolfgang Amadeus Mozart and Anton Reicha, two major works representing a genre that has rarely been explored. After the Prague-born composer, music theorist and pedagogue Anton Reicha briefly tried to establish himself in Paris in 1799, he finally settled in the French metropolis in 1808. The Horn Quintet in E major, Op. 106 is one of his last compositions. It’s paired here with Mozart’s Rondo K.514 and the Horn Quintet K.407. This recording is of the Baborák Ensemble’s performance at this year’s Mozart Week in Salzburg.

In the pre-Beatle era, when British pop was a veritable smorgasbord of genres and musical ideas without a dominant narrative, Joe Meek sampled almost everything on offer. From novelty hits to sound effect laden masterpieces, straight forward pre-beat pop and light instrumentals to cinematic ballads, his work with excellent singers such as JOHN LEYTON and MIKE BERRY, alongside talented writers like GEOFF GODDARD and RAY DEXTER, always carried his signature studio techniques, still years ahead of many major commercial studios.

In the pre-Beatle era, when British pop was a veritable smorgasbord of genres and musical ideas without a dominant narrative, Joe Meek sampled almost everything on offer. From novelty hits to sound effect laden masterpieces, straight forward pre-beat pop and light instrumentals to cinematic ballads, his work with excellent singers such as JOHN LEYTON and MIKE BERRY, alongside talented writers like GEOFF GODDARD and RAY DEXTER, always carried his signature studio techniques, still years ahead of many major commercial studios.

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