SZNZ: Winter is an EP by Weezer, the fourth and final in the SZNZ series of EPs. Following WEEZER's 2021 metal-influenced album, "Van Weezer", the Los Angeles rock band announced they would release a four-EP series in 2022. This wasn't just any series, either, as the band's "SZNZ" series would have releases dropping on the first day of each new season.
SZNZ: Autumn, the third part in a four-EP song cycle released by Weezer, and continues the narrative started on SZNZ: Spring and SZNZ: Summer bringing Pagan myths, Shakespeare, Catholic rituals, Vivaldi’s Four Seasons, and more to life. Each SZNZ EP offers its own palette of colours, creatures, and emotions to explore. They’re also being created in real time, made in tandem with the season themselves. Once they’ve all been released, however, the EPs will create an incredible collection of some of Weezer’s best songs yet, which is no small feat for a band that never leaves the Zeitgeist.
SZNZ: Summer is the second instalment in one of the bands most exciting projects to date: SZNZ, a four EP song cycle of sorts. Already mythical across the internet, SZNZ will, fittingly, be released at the start of every season. Each EP offers its own palette of colours, creatures, and emotions to explore. They’re also being created in real time, made in tandem with the season themselves. The projects lead single “Records” is a big classic Weezer rock song, with a chorus built around thunderous drums, chunky power chords and a memorable melody about songs that get stuck in your head, which is exactly what this one is sure to do.
The spring semester has arrived, and chief faculty advisor for the Weezer Institute of the Arts, Professor Rivers Cuomo (now officially America’s most popular Cuomo), has prepared a lecture connecting the Bard and Vivaldi to domestic conviviality. “Shakespeare makes me happy,” he declares, repeating that thesis a couple of times before concluding, “and I’m happy to be with you.” There’s acoustic guitar, and pan pipes, and a big, lush Brian May–style guitar solo playing themes from Vivaldi’s “La Primavera”, all complementing the Prof’s supporting arguments that Hamlet, Falstaff, and Rosalind all make him happy–happy! happy! happy!