Both as composer and person, Johannes Ockeghem remains an enigmatic figure to us today. His surname refers to a small village, Okegem, in eastern Flanders, where the name appears as early as the 13th century. Yet payment documents from St. Martin’s church in Saint-Ghislain in Henegauen near Mons, some 25 kilometres from Okegem, show that our composer was born there and that a mass was endowed to his memory, celebrated up until the French revolution of 1789. We do not know when Ockeghem was born, but the fact that he wrote a mass based on the tenor of a chanson by the famous composer Gilles de Binche, ‘Binchoys’, together with an impressive Lamento in remembrance of him, may suggest that Ockeghem received his musical education in Mons (in today’s Belgium), where Binchoys held the post of organist of Ste Waudru from 1419 to 1423 and with which he remained in contact until his death.
Essential: a masterpiece of progressive rock music.
Another unknown but very good symphonic album. Point of Eruption is the only release from Troya. The music sounds both melancholic and space, and is mainly guitar and mellotron driven.
Continuing their forays through the less well-known parts of the Renaissance repertory, The Sound and the Fury now give us almost the entire known works of Firminus Caron (active in the 1460s and ’70s) – lacking only a dozen or so secular pieces. The top line is taken throughout by the peerless David Erler, a man who seems unable to produce an inelegant line or a less than lovely sound.