In 2014 Esoteric Records released a completely remastered issue of All's Well That Ends Well. It is the original album release remastered from the original 24-track tapes and select recordings of the shows from the 10 and 11 December 1976 of the three night stint at the Roundhouse. The recordings are a mix of the in-house recordings done by the Roundhouse sound team and the Manor Mobile recordings who also did the gig. This was the last line up until the band reformed in 1984, and captures most of the consistent members who played in Man, other than Micky Jones who never left it.
Eye 2 Eye has been founded in the 2003 on the ashes of ADN by Philippe Benabes and Didier Pegues.
With "The Light Bearer" (Musea, 2017), Eye 2 Eye finally comes out of a silence that lasted five years. However, this wait will not have been in vain, since after a few personnel changes, Eye 2 Eye proves to us that it has lost nothing of its verve. The neo Progressive influences of the past are less evident, to leave room for others, more symphonic. The vocals, now held by Michel Cerroni, are deep and lyrical, while the arrangements are even further polished. A string quartet brings a bit of novelty as well. "The Light Bearer" is a very nice surprise!
There are five courses, each containing 20 reading lessons on video. This course is appropriate for young children, as young as 3, if they are alert and able to focus attention, as well as for adults.
Unit 4+2 was a one-hit wonder that probably deserved better. As one of the better acoustic-electric bands of the mid-'60s, the group stormed the charts with one memorable hit, "Concrete and Clay," scoring on both sides of the Atlantic, but they were never able to come up with a follow-up that was as catchy. The group originated with guitarist Brian Parker and an instrumental band from Hertfordshire called the Hunters, who recorded for the Fontana label in 1961. Parker left the Hunters in early 1962 and joined Adam Faith's backing band the Roulettes. He didn't stay long with the latter band, preferring to put together a group of his own with the emphasis on vocals. Parker recruited guitarists Tommy Moeller (with whom he began writing songs) and David Meikle, and singer Brian Moules, and the quartet played gigs at youth clubs and other local venues, and turned professional soon after.