Wes Bound

Lee Ritenour, a superior studio guitarist, has recorded very few jazz albums throughout his career, preferring to play melodic pop and light funk. On the rare occasions when he has had an urge to perform jazz, Ritenour has been more than happy to show off the influence of Wes Montgomery; therefore, this tribute is a logical move, even if the results are not all that exciting. Ritenour mostly plays pieces from the later (and more commercial) half of Montgomery's career, along with four of his own originals that are sort of in the tradition. He also hedges his bet a little by throwing in a Bob Marley reggae tune.

Jazz being the most spontaneous and improvisational of all musical forms, it's often best appreciated in a live setting, where artistry can take over for commercial considerations and jamming for minutes on end is encouraged. Lee Ritenour has enhanced his pop-jazz catalog in recent years with projects featuring tunes that would lend themselves to such creative stretching, and so wraps up his long run at GRP with Alive in L.A., a brilliantly realized, no-overdubs-allowed ensemble date that delves into his diverse interests, from Brazilian to straight-ahead trio jazz and blues. Fans who know him best from his lighthearted radio fare may just be astounded at his chops, which do proud the grand traditions of his idol Wes Montgomery, and even try to reach a bit beyond.

A talented and adventurous altoist whose career has gone through several phases, John Handy started playing alto in 1949. After moving to New York in 1958, he had a fiery period with Charles Mingus (1958-1959) that resulted in several passionate recordings that show off his originality; he also recorded several dates as a leader for Roulette. Handy led his own bands during 1959-1964, and played with Mingus at the 1964 Monterey Jazz Festival, but it was at the following year's festival that he was a major hit, stretching out with his quintet (which included violinist Michael White and guitarist Jerry Hahn) on two long originals. Soon, Handy was signed to Columbia, where he recorded his finest work (three excellent albums) during 1966-1968…

Unlike many guitarists on today’s crowded stage, Mark Lettieri treats his fretboard as a runway. Before liftoff, he ensures every calibration, setting, and bolt is as it should be before grabbing a piece of sky. In Dragonfly, the riff-heavy opener off his latest full-length, Can I Tell You Something?, he makes good on that promise of flight. With Jason “JT” Thomas (drums), Daniel Porter (keys), Wes Stephenson (bass), and Bobby Sparks (organ) in the control tower, he has a dream team to get him off the ground without the slightest worry of a malfunction. From the moment his landing gear leaves the tarmac, he soars with the fullest confidence.