A perfect combination between education and diversion: stories, songs and games have been developed and made by a team of qualified experts in the education of the English.
John Wayne – showing off a darker side to his screen persona than we'd previously seen – portrays Thomas Dunson, a frontiersman who, with his longtime partner Nadine Groot (Walter Brennan), abandons a westbound wagon train in 1851 to make his future as a rancher in Texas. Doing so forces him to abandon Fen (Colleen Gray), his fiancee – and when she is killed in an Indian raid a short time later, it taints any good that Dunson might find in the future he carves out for himself, destroying any joy he might derive from life. The sole survivor of the raid is Matthew Garth (Mickey Kuhn), a young orphan who is unusually handy with a gun for one his age – and already knows how to channel his grief and horror at what he's seen, as much as Dunson does. Dunson informally adopts Matt as his son, and over the next 14 years he builds up one of the largest ranches in the entire state of Texas. And all of it is worth nothing, a result of the economic ruin wrought on the state in the aftermath of the Civil War.
So begins director Victor Fleming's The Wizard of Oz, a timeless, truly magnificent classic that's as charming and endearing today as it was seventy years ago. Born in an age when soul and spirit were invested in every frame, when digital effects had yet to be conceived, when craftsmanship sat upon the same cinematic throne as creativity, the seemingly simplistic story of a young girl's quest to escape a strange land of talking animals and sneering creatures has emerged as one of the most indelible, recognizable, and untouchable films in history. From actress Judy Garland's unforgettable rendition of "Somewhere Over the Rainbow" to her cries of joy upon returning home, Oz has few equals. From the bustling land of the Munchkins to the frightening kingdom of the Wicked Witch of the West, it boasts stirring artistry and design. From Dorothy's declaration that she isn't in Kansas anymore to her first, hushed utterance of "there's no place like home," it transcends age, capturing the imagination of anyone, young or old, lucky enough to set their eyes on the majesty of its yellow-brick road.