West End Blues

Am I Blue? Offers a marvellous cross-section from the best of one of the finest of all jazz-styled vocalists, the pioneering Ethel Waters (1896-1977). Starting out as a blues/vaudeville singer (known as “Sweet Mama Stringbean”), the black American singer, entertainer, and later accomplished actress on stage and screen, became one of the era’s most accomplished and sensitive interpreters of popular songs…

The Louis Armstrong Hot Five and Hot Seven Sessions were recorded between 1925 and 1928 by Louis Armstrong with his Hot Five and Hot Seven groups. According to the National Recording Registry, "Louis Armstrong was jazz's first great soloist and is among American music's most important and influential figures. These sessions, his solos in particular, set a standard musicians still strive to equal in their beauty and innovation." These recordings were added to the National Recording Registry in 2002, the first year of the institution's existence.

Guitarist Johnny Whitehill has been a fixture on the British blues scene since the 1970s, emerging as a star while a member of the Blues Burglars, the band he formed with harpist Paul Lamb in the early '80s. As a guitarist, his inspirations and influences came from the likes of B.B. King, Freddie King, Albert King, T-Bone Walker, Albert Collins, Robert Johnson, Blind Boy Fuller, Lightnin' Hopkins, et al., and, later on, fellow British bluesman Peter Green, among others. He has recorded albums of his own intermittently, amid two decades working mostly with Paul Lamb & the King Snakes – the successor band to the Blues Burglars – and since the opening of the 21st century has toured England with his own group, Johnny Whitehill's Real Deal.

Louis Armstrong - The Complete Louis Armstrong Decca Sessions 1935-1946 (2009) {7CD Box Set Mosaic MD7-243}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.70 Gb | MP3 @320 -> 1.14 Gb | Cover | 5% repair rar
© 1935-46, 2009 Decca / Mosaic Records | MD7-243
Jazz / Swing / Early Jazz / Big Band / Vocal Jazz / Trumpet

This is the first-ever major retrospective of this period. For the most part, the recordings represent Louis Armstrong leading the big band. Never had Louis sounded more secure, more hip, or more like a star. His example was an important beacon that popular standards were a legitimate repertoire for significant jazz recording stylists.