What Bring Tomorrow

A never ending social and economic crisis has forged the younger generation of middle class Argentinians into street wise survivors. At 24, Paula wants to be an actress, but she knows that time is running out. If she doesn't find her rent money she'll be homeless, with no future at all. She only has 24 hours to find this money and nobody to whom she can ask for help. Trapped by urgency and despair, Paula seriously contemplates becoming a prostitute but even this temporary employment will not provide her with an easy relief.

Doug Sahm is one of the great figures in 20th century American music, which isn't quite the same thing as saying he's one of the best-known musicians. As the frontman of the Sir Douglas Quintet, he had a Top 20 hit with the garage rock classic "She's About a Mover" in 1966 and a Top 30 single with "Mendocino" three years later, but after that he settled into a small but intensely devoted cult following. Not that there weren't attempts to break him on a wider scale – after the Quintet broke up, Atlantic launched a publicity blitz for a pair of solo albums in 1973 – but they never quite clicked, probably because Sahm's music, no matter how brilliant it was, never was popular music. It was a wild, wooly blend of rock & roll, soul, country, blues, and Tex-Mex, as informed by the sunny vibes of hippiedom as it was by the rowdy spirit of garage rock. Sahm created this sound with the Sir Douglas Quintet in the late '60s and over the next three decades he never strayed from it, but those records that the band released between 1968 and 1971 (plus 1973's rarities round-up Rough Edges) remained at the core of his legacy, and for good reason: not only did they illustrate the breadth and depth of Sahm's ambition, they're simply dynamic rock & roll, truly visionary American roots music.

Are you stuck in old patterns and programs, feeling vulnerable and or fearful of what tomorrow will bring?

The 2008–09 global financial crisis shook the ground under the conventional wisdom that had guided mainstream development economics. Much of…

On her third studio album, Chicago vocalist Alyssa Allgood wields her instrument with depth, nuance & sophistication. Through refined interpretations of classics and the debut of four stunning originals, What Tomorrow Brings invites listeners on a personal journey of despair, determination and discovery.

Tomorrow's World or meet Jean-Benoît Dunckel of Air and Lou Hayter, former keyboard New Young Pony Club. A musical union initiated by the Parisian and Londoner end of 2010 and said that the binomial approach as the soundtrack psychedelic pop a true-false Twin Peaks. Who says Twin Peaks and David Lynch told David Lynch that said Angelo Badalamenti said. Sensations that are palpable throughout their eponymous album, "Tomorrow's World", a project that could not be limited to being a nice side project. Influences other very, very synthetic cross also the road from our Lee Hazlewood and Nancy Sinatra's third millennium minimalism aggressive Suicide, rhythms clinical Human League, tablecloths weightless Air… A true false true group embarked on a fake soundtrack true false film for a sensual trip and really tasty.