This series started out in 1990 as Super Hits, with each issue having a cartoonish photo/drawing as cover art. There were 20 volumes in the original Super Hits series. In 1995, the series was renamed AM Gold. The first four volumes were reissued using the new series title and a modified version of the cover art work from SUD-05, but that was soon replaced with a second AM Gold cover design that featured a gold record. The Super Hits series used the SUD- prefix, while the AM Gold series used the AM1- prefix. In the late 1990s, the AM1- prefix was replaced with the R834- prefix, but the volumes continued as before. Two AM Gold budget box sets were introduced in the late 1990s, with 12 tracks instead of the usual 18-24. These were meant for retail sales, unlike the normal subscription CDs.
It’s really not easy to define “Grey, White, Silver, Yellow, and Gold” as a Prog Metal album. From where I’m standing the best Prog Metal albums are the ones which showcase lots of influences. Most importantly, all the influences from the the mind blowing music from the 1970s. “Grey, White, Silver, Yellow, and Gold” has lots of it. A great Prog Metal album is an album that addresses right to Emerson, Lake, and Palmer and then to Iron Maiden or Judas Priest. This album made me feel this way.
Barry Eugene Carter (September 12, 1944 – July 4, 2003), better known by his stage name Barry White, was an American singer-songwriter, musician, record producer and composer. A three-time Grammy Award–winner known for his distinctive bass-baritone voice and romantic image, his greatest success came in the 1970s as a solo singer and with The Love Unlimited Orchestra, crafting many enduring soul, funk, and disco songs such as his two biggest hits: "You're the First, the Last, My Everything" and "Can't Get Enough of Your Love, Babe".