White Odyssey

Yianni Martakis, a sailor immigrant in New York City, is on a mission to find and kill the man who raped his sister. Along the way he becomes entangled with the sweet, unassuming Niki Vassos, and must decide whether he should forget his path of vengeance and perhaps begin living a normal life.

Even amongst a thriving but crowded Tech / Progressive Metal scene, Northampton (UK)’s Voices From The Fuselage have the potential and the quality to stand out. With a label re-release in 2016 and the presence of former TesseracT vocalist Ashe O’Hara at the forefront, their previous album Odyssey: Destroyer Of Worlds provided a benchmark album for UK Progressive Metal with a rich and layered sound combined with towering melodies and near pop sensibilities, showing them to have real crossover appeal.

Juno Award-winning, powerhouse rock duo Crown Lands – Cody Bowles (vocals and drums) and Kevin Comeau (guitar, bass, and keys) – celebrate songs from their emergent discography with their first ever live album, Odyssey Volume 1.

God made Colombia the most beautiful country in the world so he had to balance it byinhabiting it with the worst people in the world.' Old Colombian Proverb

An icon of the American avant-garde, Hollis Frampton made rigorous, audacious, brainy, and downright thrilling films, leaving behind a body of work that remains unparalleled. In the 1960s, having already been a poet and a photographer, Frampton became fascinated with the possibilities of 16 mm filmmaking. In such radically playful and visually and sonically arresting works as Surface Tension, Zorns Lemma, (nostalgia), Critical Mass, and the enormous, unfinished Magellan cycle (cut short by his death at age forty-eight), Frampton repurposes cinema itself, making it into something by turns literary, mathematical, sculptural, and simply beautiful - and always captivating. This collection of works by the essential artist - the first release of its kind - includes twenty-four films, dating from 1966 to 1979.