Who Are You

Congratulations, Who Are You Again?: A Memoir [Audiobook] eBooks & eLearning

Posted by First1 at Nov. 6, 2018

This funny and wise new memoir from Harrison Scott Key, winner of the Thurber Prize for American Humor, will inspire laughter and hope for anyone who’s ever been possessed by a dream of what they want to be when they grow up.

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Congratulations, Who Are You Again?: A Memoir eBooks & eLearning

Posted by First1 at Nov. 6, 2018

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Who Are You Meant to Be?: A Groundbreaking Step-by-Step Process for Discovering and Fulfilling Your True Potential eBooks & eLearning

Posted by tarantoga at Jan. 3, 2014

Anne Dranitsaris, Heather Dranitsaris-Hilliard, "Who Are You Meant to Be?: A Groundbreaking Step-by-Step Process for Discovering and Fulfilling Your True Potential"
ISBN: 1402274009 | 2013 | EPUB/MOBI | 384 pages | 1 MB/2 MB

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The Who - Who Are You (1978) {2011, Japanese Limited Edition, Remastered} Repost Music

Posted by popsakov at Feb. 1, 2025

The Who - Who Are You (1978) {2011, Japanese Limited Edition, Remastered}
EAC Rip | FLAC (Img) + Cue + Log ~ 440 Mb | MP3 CBR320 ~ 171 Mb
Full Scans ~ 108 Mb | 01:10:45 | RAR 5% Recovery
Classic Rock | Polydor / Universal Music #UICY-94779

On the Who's final album with Keith Moon, their trademark honest power started to get diluted by fatigue and a sense that the group's collective vision was beginning to fade. As instrumentalists, their skills were intact. More problematic was the erratic quality of the material, which seemed torn between blustery attempts at contemporary relevance ("Sister Disco," "New Song," "Music Must Change") and bittersweet insecurity ("Love Is Coming Down"). Most problematic of all were the arrangements, heavy on the symphonic synthesizers and strings, which make the record sound cluttered and overanxious.

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The Who - Who Are You (1978) [Japanese Edition 2013] Music

Posted by gribovar at Dec. 11, 2023

On the Who's final album with Keith Moon, their trademark honest power started to get diluted by fatigue and a sense that the group's collective vision was beginning to fade. As instrumentalists, their skills were intact. More problematic was the erratic quality of the material, which seemed torn between blustery attempts at contemporary relevance ("Sister Disco," "New Song," "Music Must Change") and bittersweet insecurity ("Love Is Coming Down"). Most problematic of all were the arrangements, heavy on the symphonic synthesizers and strings, which make the record sound cluttered and overanxious. Roger Daltrey's operatic tough-guy braggadocio in particular was beginning to sound annoying on several cuts…

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