Who Can i be Now?

A lively and colorful biography of Hollywood's first superagent - one of the most outrageous showbiz characters of the 1960s and 1970s, whose clients included Barbra Streisand, Ryan O'Neal, Faye Dunaway, Michael Caine, and Candice Bergen.

On the same date, a new collection celebrating decades top megahits, NOW Thats What I Call The 00s, will be released physically and digitally. Rockstar is the fifth U.S. single by the Canadian alternative rock band Nickelback from their fifth album. She Will Be Loved is a song by the American pop rock band Maroon 5. The song is recognized by its looping steelpan riff. Broken Strings is the third single by British musician James Morrison from his second studio album, Songs for You, Truths for Me. Oops!… I Did It Again is a song that lyrically speaks of a female who views love as a game, and she decides to use that to her advantage by playing with her lovers emotions.

Parlophone has unveiled the most anticipated installment of their definitive David Bowie reissue campaign with the release of "A New Career in a New Town". What makes this particular box set so special is that the collection’s focal point is the late, great Duke’s Berlin period, an era considered by many fans to be his most creative span in a career defined by constant change. Working in tandem with longtime producer Tony Visconti and friend Brian Eno (himself immersed in Germany’s experimental electronic movement of the '70s through his collaborative efforts with Cluster), Bowie ushered himself into the punk and new wave era by going against the grain of the time, looking to the works of such Krautrock heroes as Can, Kraftwerk and Neu! to inspire the conception of the three LPs constructed between 1977 and 1979: Low, “Heroes” and Lodger, known by most as the singer’s Berlin Trilogy.

Young Americans is the ninth studio album by the English musician David Bowie, released on 7 March 1975 by RCA Records. The album marked a departure from the glam rock style of Bowie's previous albums, showcasing his interest in soul and R&B music. Bowie would call the album's sound "plastic soul", describing it as "the squashed remains of ethnic music as it survives in the age of Muzak rock, written and sung by a white limey". Initial recording sessions took place in Philadelphia with producer Tony Visconti and a variety of musicians, including guitarist Carlos Alomar, who would become one of Bowie's most frequent collaborators, and singer Luther Vandross. Bowie drew influence from the sound of "local dance halls", which were blaring with the "lush strings, sliding hi-hat whispers, and swanky R&B rhythms of Philadelphia Soul". Later sessions took place in New York City, including contributions from John Lennon. Although Bowie was among the first English pop musicians of the era to overtly engage with black musical styles, the album was very successful in the US; the album itself reached the Top 10 in the Billboard charts, with the song "Fame" hitting the number-one the same year the album was released. It was generally well received by critics. In 2013, New Musical Express ranked the album at No. 175 in its list of The 500 Greatest Albums of All Time. The album was also included in the book 1001 Albums You Must Hear Before You Die.