Why we Love The 80s

Stevie Wonder is a much-beloved American icon and an indisputable genius not only of R&B but popular music in general. Blind virtually since birth, Wonder's heightened awareness of sound helped him create vibrant, colorful music teeming with life and ambition. Nearly everything he recorded bore the stamp of his sunny, joyous positivity; even when he addressed serious racial, social, and spiritual issues (which he did quite often in his prime), or sang about heartbreak and romantic uncertainty, an underlying sense of optimism and hope always seemed to emerge. Much like his inspiration, Ray Charles, Wonder had a voracious appetite for many different kinds of music, and refused to confine himself to any one sound or style.

This 23-song compilation was a choice European release when it first appeared as a double-LP from Polydor in 1983, partly because of the cool looking cover, but also for doing the welcome job of assembling together the A- and B-sides of all of the Jimi Hendrix singles released between January 1967 and 1983…

Ramones - The Sire Years 1976-1981 (2013) {6CD Box Set Rhino-Warner 8122796278}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.44 Gb | MP3 @320 -> 461 Mb
Full Artwork @ 300 dpi (jpg) -> 42 Mb | 5% repair rar
© 1976-81, 2013 Rhino / Sire / Warner | 8122796278
Rock / Punk Rock/ Alternative

Not many bands can honestly say they changed the shape of rock & roll as we know it and upended part of the larger global culture at the same time. The Ramones did just that; by stripping down and speeding up rock & roll like a hot rod that could outrun all competition, and injecting it with a massive dose of snotty, absurdist humor, they gave the music a new lease on life, and left behind a handful of brilliant recordings that are still a solid kick to hear nearly four decades after their debut hit the streets. Punk rock first emerged from a very specific time and place, but the best of it is timeless in its joyous roar, and the first four Ramones albums absolutely live up to that description.

Forty years ago, on September 2, 1982 – the year of Michael Jackson’s Thriller and Steven Spielberg’s E.T. – Glenn Gould’s legendary second recording of the Goldberg Variations closed a circle that his revolutionary 1956 recording of Bach’s masterpiece had opened. While his first recording is the exuberant, fast-paced work of a 22-year-old pianistic prodigy, his second is the measured, richly detailed interpretation of an experienced studio artist. Just five weeks later, the Canadian pianist died unexpectedly, leaving the world a masterpiece of recording art that – awarded two GRAMMYs – is still one of the most listened to classical albums worldwide.