Tom Waits wrote a song called "Frank's Wild Years" for his 1983 Swordfishtrombones album, then used the title (minus its apostrophe) for a musical play he wrote with his wife, Kathleen Brennan, and toured with in 1986. The Franks Wild Years album, drawn from the show, is subtitled, "un operachi romantico in two acts," though the songs themselves do not carry the plot. Rather, this is just the third installment in Waits' eccentric series of Island Records albums in which he seems most inspired by German art song and carnival music, presenting songs in spare, stripped-down arrangements consisting of instruments like marimba, baritone horn, and pump organ and singing in a strained voice that has been artificially compressed and distorted…
A prolific electronic producer and keyboardist from London, Paul Hardcastle has enjoyed over three decades of popularity with his varied dance-, R&B-, and jazz-influenced albums. Although often associated with the smooth jazz genre, Hardcastle's synth-based style is more akin to instrumental dance music and electro-R&B with the occasional vocal and saxophone flourishes. Initially emerging with his breakthrough single "19" off 1985's Hardcastle, he gained wider success with the launch of his crossover Jazzmasters album in 1993, which hit number one on the Billboard Contemporary Jazz chart. Over the years, he has continued to diversify his offerings, issuing regular volumes across several series including Top 20-charting albums like 2002's Hardcastle 3, 2013's The Chill Lounge, Vol. 2, and 2014's Movin & Groovin.
On July 3rd, 1973, David Bowie retired Ziggy Stardust, his most famous alter-ego, in front of 5000 stunned fans at London’s Hammersmith Odeon. Now, the fully restored film and soundtrack will be released for the first time for the 50th anniversary of the show. Renowned filmmaker D.A. Pennebaker (Monterey Pop, Bob Dylan - Don’t Look Back, Depeche Mode - 101) captured the momentous event by filming Bowie and The Spiders From Mars backstage and onstage. The digital 4K restoration of the new version of the film has been overseen by his son, Frazer Pennebaker with remastered audio.
In the 1970s, Tom Waits combined a lyrical focus on desperate, low-life characters with a persona that seemed to embody the same lifestyle, which he sang about in a raspy, gravelly voice. From the '80s on, his work became increasingly theatrical as he moved into acting and composing…