Acclaimed Grammy-winning bassist, composer and bandleader Ben Williams’ newest album, I AM A MAN, is a sociopolitically charged project that strives to “show the world the complexity of our humanity as Black American men.” With help from producer and sound designer Brian Bender, the album boasts a humid and hazy sound that recalls neo-soul albums released by The Roots, Erykah Badu, Bilal, and D’Angelo. Williams sings lead on the majority of songs, in addition to playing the electric and acoustic bass. Joining him is an amazing lineup comprised of keyboardist Kris Bowers, guitarist David Rosenthal, tenor saxophonist and bass clarinetist Marcus Strickland, percussionist Bendji Allonce, trumpeter Kenyon Harrold, flutist Anne Drummond, and drummers Jamire Williams and Justin Brown. The album’s title references the historic 1968 sanitation workers’ strike in Memphis.
The new box contains no fewer than three different Williams recordings of that most popular of all guitar works, Rodrigo’s Concierto de Aranjuez – from 1964 with the Ormandy and the Philadelphia Orchestra, from 1974 with Barenboim and the English Chamber Orchestra, and from 1983 with Frémaux and the Philharmonia Orchestra – plus a performance of its much-loved Adagio in Williams’s celebrated 1993 “Seville Concert”. That entire concert is presented here too, on both CD and DVD – the latter also including a bonus documentary portrait of the artist. Reviewing his second studio recording of the concerto, Gramophone in January 1975 proclaimed: “John Williams himself has already made one of the finest [versions], yet if possible even more conclusively this new one must be counted a winner, irresistible from first to last.