The documentary Willie Dixon: I Am the Blues examines the remarkably influential career of musician Willie Dixon. In addition to an explanation of how his work for Chess records revolutionized blues and rock & roll, the man performs eight songs, including "Wang Bang Doodle," "I Just Want to Make Love to You," and "I Got the Blues."
Willie Dixon's life and work was virtually an embodiment of the progress of the blues, from an accidental creation of the descendants of freed slaves to a recognized and vital part of America's musical heritage.
In 1970, Willie Dixon released an album entitled I Am The Blues. It was a brash claim, but if anyone in blues history could stand up to this bit of bravura, Dixon was the man. Over the course of his career, he penned a suitcase full of tunes that defined Chicago blues - easily the most influential strand of the blues in the post-war era.
This 1991 live set - apparently recorded for a radio broadcast from a club in Long Beach California - finds him in fine form, backed by some younger Chicago musicians, including Carey Bell on harp and none other than Butch Dixon (a relation, of course) on piano. Dixon, who sounds like he's having a terrific time, lectures the highly appreciative crowd about the history of the blues and serves up fine versions of his classics "Built for Comfort" and "Rock Me."
This 52 disc Ultimate Collection features music from the Delta to the Big Cities. This special first edition also includes a historic puck harmonica. How blue can you get? You will find your favorites here and discover some hidden gems, as the 'ABC of the Blues' brings together the best of the best.
The only domestic compilation celebrating this trio's accomplishments is a 21-track affair containing Willie Dixon's "dozens" diatribe "Signifying Monkey," the catchy "Tell That Woman" (later covered by Peter, Paul & Mary as "Big Boat Up the River"), and several crackling instrumentals ("Big 3 Boogie," "Hard Notch Boogie Beat") that show what fine musicianship this triumvirate purveyed. Points off, though, for not including their only legit hit, "You Sure Look Good to Me."