Wind River

The software developer Wind River is pleased to announce the availability of Simics Simulator 2021.16 Public Release Preview. A powerful simulation environment with the ability to simulate nearly anything, from a single chip to complex systems, providing powerful development and test capabilities.

“I first composed this music for myself as an adjunct to meditation, Tai Chi, and bodywork, and as music to play in the background of life, to replace the everyday cacophony with new and ordered sounds of an unpredictable nature. New sounds freed from preconception. …over time, friends who heard the music asked if I could make them copies. I then wrote two more pieces with the same intent: to relax the body, mind, and spirit and facilitate meditation.” - Lou Reed

Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.

Wind River, a global leader in delivering software for mission-critical intelligent systems, has has unveiled Simics 4.0.63 is a full-system simulator used by software developers to simulate the hardware of complex electronic systems.

The cover of the album depicts a man in a boat paddling on a river at moonrise, which, metaphorically speaking establishes the mood for this latest release from Timothy Wenzel.
As you drift though the music there is the distinct feeing of a man at peace, at one with his music: the notes flowing from his fingers through the medium of the keyboard. Fascinating, evocative, drifting to the level where it becomes difficult to separate the creator from the music – all is one, one is all.

The Alan Lomax Collection gathers together the American, European, and Caribbean field recordings, world music compilations, and ballad operas of writer, folklorist, and ethnomusicologist Alan Lomax. Deep River of Song: African-American field recordings made for the Library of Congress from 1933 to 1946, a transformative period when black singers of the South and the Caribbean created a new musical language and thousands of brilliant songs that would captivate people throughout the world.